Mere Reflection (A Very First-Time-Mother, and Her Very First-Time-Daughter)
Mere Reflection (A Very First-Time-Mother, and Her Very First-Time-Daughter)
Mere Reflection (A Very First-Time-Mother, and Her Very First-Time-Daughter)
Mere Reflection (A Very First-Time-Mother, and Her Very First-Time-Daughter)
Mere Reflection (A Very First-Time-Mother, and Her Very First-Time-Daughter)

Joeun Kim Aatchim

Mere Reflection (A Very First-Time-Mother, and Her Very First-Time-Daughter), 202352 x 42 x 3cm8000 USD
Details
MaterialGalleryLocation
stone and earth pigment suspended in shellac, colored pencil, conté on silk, canvas, sterling silver nailsFrançois GhebalyLos Angeles
Description
Human-crafted. AI-refined.

This abstract artwork features a striking juxtaposition of light and dark tones, with a prominent black rectangular field contrasted by a textured, grayish-white area. The composition is framed by a wooden border, adding a rustic element. The overall aesthetic suggests a minimalist approach, with the artist utilizing subtle techniques like layering and distressing to create a visually compelling work. While the subject matter is not immediately recognizable, the artwork invites the viewer to explore the interplay of materials, textures, and negative space, potentially reflecting the artist's intention to evoke a sense of introspection or contemplation. ...

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Hanging (the Will)
Artist
Joeun Kim Aatchim

Korean-born, New York-based artist Joeun Kim Aatchim’s practice is centred around drawing. Her drawings employ Korean silk as their surface, onto which she constructs incredibly intricate compositions which capture the attention of the viewer. Viewers are encouraged to experience the visual feast of texture, colour, and materiality which Aatchim has presented. Luminosity radiates outwards from the surface of Aatchim’s works. While she concentrates on every day, simple events and scenes, such as a pair of shoes, a dinner, domestic objects, there is an intimacy and beauty in the intricacy of her work, it draws our attention and encourages us to look deeper at what we might usually only give a fleeting glance. ...

Joeun Kim Aatchim: Artworks
At the Airport
Joeun Kim AatchimAt the Airport, 2024Price on Request
Mere Reflection (A Very First-Time-Mother, and Her Very First-Time-Daughter)
Joeun Kim AatchimMere Reflection (A Very First-Time-Mother, and Her Very First-Time-Daughter), 20238000 USD
Origin of the Tails (A Visit of Miss Ceilingfan, Juniper the Writers' Friend at the Corporation of Y...
Joeun Kim AatchimOrigin of the Tails (A Visit of Miss Ceilingfan, Juniper the Writers' Friend at the Corporation of Y, and the Saratoga Springs Chronicle), 202311500 USD
Hanging (the Will)
Joeun Kim AatchimHanging (the Will), 20258500 USD
Bella-Rebellious
Joeun Kim AatchimBella-Rebellious, 202510500 USD
Remedy (Fishers Island Chronicle)
Joeun Kim AatchimRemedy (Fishers Island Chronicle), 20217000 USD
Les Visages de la Fin
Joeun Kim AatchimLes Visages de la Fin, 202416000 USD
François Ghebaly
Gallery
François Ghebaly
Los Angeles, New York City

Since 2009, François Ghebaly has presented an innovative, eclectic program of Los Angeles-based and international artists. With a history of identifying and championing diverse voices and emerging talent, the gallery’s roster has grown to include 27 artists and 2 artist estates, ranging from early career, such as Sharif Farrag and Ludovic Nkoth, to mid-career, like Christine Sun Kim, Meriem Bennani, Kelly Akashi, Farah Al Qasimi, and Genesis Belanger, to well established, including Sayre Gomez, Kathleen Ryan, Neïl Beloufa and Candice Lin as well as underground legends, like Patrick Jackson and Mike Kuchar. The gallery advances the reach of its artists’ visions by publishing exhibition catalogues and producing artist editions. Located since 2013 in a 12,000 square foot warehouse space in Downtown Los Angeles, the gallery is a mainstay of the burgeoning Arts District community, and recently expanded to New York's Lower East Side. François Ghebaly’s program demonstrates a commitment to challenging work across all media and to fostering the progressive, boundary-pushing practices of its artists. ...