Mere Reflection (A Very First-Time-Mother, and Her Very First-Time-Daughter)
Mere Reflection (A Very First-Time-Mother, and Her Very First-Time-Daughter)
Mere Reflection (A Very First-Time-Mother, and Her Very First-Time-Daughter)
Mere Reflection (A Very First-Time-Mother, and Her Very First-Time-Daughter)
Mere Reflection (A Very First-Time-Mother, and Her Very First-Time-Daughter)

Joeun Kim Aatchim

Mere Reflection (A Very First-Time-Mother, and Her Very First-Time-Daughter), 202352 x 42 x 3cmSign in to view price
Details
MaterialGallery
stone and earth pigment suspended in shellac, colored pencil, conté on silk, canvas, sterling silver nailsInstituto de Visión
Description
Human-crafted. AI-refined.

This abstract artwork features a striking juxtaposition of light and dark tones, with a prominent black rectangular field contrasted by a textured, grayish-white area. The composition is framed by a wooden border, adding a rustic element. The overall aesthetic suggests a minimalist approach, with the artist utilizing subtle techniques like layering and distressing to create a visually compelling work. While the subject matter is not immediately recognizable, the artwork invites the viewer to explore the interplay of materials, textures, and negative space, potentially reflecting the artist's intention to evoke a sense of introspection or contemplation. ...

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Remedy (Fishers Island Chronicle)
Artist
Joeun Kim Aatchim

Korean-born, New York-based artist Joeun Kim Aatchim’s practice is centred around drawing. Her drawings employ Korean silk as their surface, onto which she constructs incredibly intricate compositions which capture the attention of the viewer. Viewers are encouraged to experience the visual feast of texture, colour, and materiality which Aatchim has presented. Luminosity radiates outwards from the surface of Aatchim’s works. While she concentrates on every day, simple events and scenes, such as a pair of shoes, a dinner, domestic objects, there is an intimacy and beauty in the intricacy of her work, it draws our attention and encourages us to look deeper at what we might usually only give a fleeting glance. ...

Joeun Kim Aatchim: Artworks
At the Airport
Joeun Kim Aatchim
At the Airport, 2024
48 x 38cm
Mere Reflection (A Very First-Time-Mother, and Her Very First-Time-Daughter)
Joeun Kim Aatchim
Mere Reflection (A Very First-Time-Mother, and Her Very First-Time-Daughter), 2023
52 x 42 x 3cm
Origin of the Tails (A Visit of Miss Ceilingfan, Juniper the Writers' Friend at the Corporation of Y...
Joeun Kim Aatchim
Origin of the Tails (A Visit of Miss Ceilingfan, Juniper the Writers' Friend at the Corporation of Y, and the Saratoga Springs Chronicle), 2023
62 x 49.5 x 3cm
Hanging (the Will)
Joeun Kim Aatchim
Hanging (the Will), 2025
45 x 32cm
Bella-Rebellious
Joeun Kim Aatchim
Bella-Rebellious, 2025
42 x 52cm
Remedy (Fishers Island Chronicle)
Joeun Kim Aatchim
Remedy (Fishers Island Chronicle), 2021
23 x 31cm
Les Visages de la Fin
Joeun Kim Aatchim
Les Visages de la Fin, 2024
86 x 62cm
Instituto de Visión
Gallery
Instituto de Visión
Bogotá, New York City

Instituto de Vision is a Bogotá and New York based gallery for conceptual practices. Their mission is to investigate conceptual discourses that have been neglected by the official Latin American art canon. They have recovered important estates from the Latin American art of the mid century and continue to research the most enigmatic oeuvres of the region. Through a parallel program, they represent some of the most relevant contemporary practices from Colombia, Chile, North America, Venezuela, and others. Directed by three women, Instituto de Vision gives special attention to female voices, queer theories, environmental activism, the conflicts of migration, and other critical positions that challenge the established order. Using the international art scene as a platform, they are committed to give visibility and expand the work of artists that reveal critical realities and raise important questions for these contemporary subjects. ...

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