Sans Titre

Jonathan Binet

Sans Titre, 2019170 x 130 x 5cmSign in to view price
Details
MaterialGallery
acrylic on canvas, metalBalice Hertling
Description
Human-crafted. AI-refined.

Visual Elements: The artwork features a striking use of color, with a vibrant pink hue dominating the canvas. The overall composition is minimal, with a simple yet impactful display of diagonal lines that create a sense of movement and energy. Subject Matter: The piece appears to depict an abstract, almost geometric pattern, with the prominent pink color contrasted against a softer, lighter background. Artistic Style and Technique: The work exhibits a contemporary, minimalist style, utilizing bold and expressive brushstrokes to create a dynamic and visually striking piece. Context: This artwork likely aims to explore the power of color, form, and composition in a contemporary abstract painting, challenging the viewer's perception and interpretation of the art. ...

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Jonathan Binet
Artist
Jonathan Binet
B.1989, French

Jonathan Binet’s work is characterised by the presence of body and movement. His paintings, installations and sculptures are directly performed through and against the space of their exhibition. Binet’s shows are full of obstacles and interventions, forcing the viewer to navigate through sprayed lines, holes in walls, aeroplane carcasses, pencil marks, frames from which the paintings are missing, and then paintings blank in their abstraction. Such elements, like clues to some fictional narrative, are both deliberate and accidental and make up a space that looks like an artists studio abandoned in a hurry. Relying on external forces of time, gravity and entropy, Binet’s work is always honest and performative. Written by Goldsmiths CCA ...

Jonathan Binet: Artworks
Sans titre
Jonathan BinetSans titre, 2015
175.3 x 231.1 x 43.2cm
Untitled
Jonathan BinetUntitled , 2018
200 x 170 x 6.5cm
Untitled
Jonathan BinetUntitled, 2018
160 x 98 x 3cm
Untitled
Jonathan BinetUntitled, 2018
210 x 180 x 8cm
Untitled
Jonathan BinetUntitled, 2018
210 x 180 x 10cm
Untitled
Jonathan BinetUntitled, 2015
216 x 180 x 10cm
Sans Titre
Jonathan BinetSans Titre , 2019
166 x 126 x 3cm
Sans Titre
Jonathan BinetSans Titre, 2019
184 x 150 x 5cm
Sans Titre
Jonathan BinetSans Titre, 2019
170 x 130 x 5cm
P.A.M.F
Jonathan BinetP.A.M.F, 2020
130 x 97cm
Big Think
Jonathan BinetBig Think, 2020
130 x 97cm
Untitled
Untitled
Untitled
Untitled
Balice Hertling
Gallery
Balice Hertling
Paris, Paris

Balice Hertling was founded in 2007 by Daniele Balice and Alexander Hertling. Balice Hertling has hosted the debut solo shows of many artists like Camille Blatrix, Xinyi Cheng and Isabelle Cornaro—all of whom have gone on to earn widespread recognition. From 2012 to 2016, gallery founders Daniele Balice and Alexander Hertling operated a project space in Manhattan. Returning to France in 2017, they relocated the main gallery to Paris’ Marais district and transformed the former Belleville location into a space for curated projects and shows by younger artists. Indeed, many artists represented by the gallery exemplify unique subcommunities of the emergent art world. This breadth of representation also translates to a breadth of medium, as the gallery represents painters as well as artists working in mixed media such as film, performance and sculptural objects. The gallery also represents artists whose careers are more established : British conceptual artist Stephen Willats, Syrian-born painter and sculptor Simone Fattal, and Italian artist Enzo Cucchi. In its programming and practices, Balice Hertling constantly works toward creating a more diverse and equitable art landscape. In this spirit, the gallery is proud to represent the Estate of Behjat Sadr, who was the first woman artist to be recognized as a modern master in Iran. As a result of the pandemic, the gallery co-founded « Palai » in the summer of 2021, a yearly exhibition hosting a small group of galleries from around the world, in historic locations in Lecce, a city in Italy's Puglia region. Palai is neither a curated exhibition nor a fair, it is thought to be a version of a residency, a collegial collaboration, where artists, galleries, and friends of the art world come together. In 2021 Balice Hertling relocated and brought closer both spaces in the Marais with a new main space inaugurated by a Ser Serpas scultpure solo show, and a new showroom and project space on rue de Montmorency. ...

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