Sans titre

Marie-Claire Messouma Manlanbien

Sans titre, 202435 x 25cm5000 EUR
Details
MaterialGalleryLocation
papier tenjin, laine, céramique tenjin paper, wool, ceramicGalerie Cécile FakhouryAbidjan
Description
Human-crafted. AI-refined.

This whimsical artwork features a delicate, blue-hued leaf-like shape in the center, rendered through a simplistic line drawing on a white background. The overall composition has a minimalist, organic quality, with the leaf-like form appearing to float or dangle from a thread-like stem anchored by a small, dark circular element. The artist's use of a limited color palette and loose, freehand linework suggests an exploratory, intuitive approach, capturing the ephemeral beauty of natural forms. This piece likely reflects the artist's interest in the interplay between nature, simplicity, and the ethereal qualities of line and shape. ...

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Marie-Claire Messouma Manlanbien
Artist
Marie-Claire Messouma Manlanbien
1990 , French

Born in 1990 to an Ivorian father and a Guadeloupean mother, Marie-Claire Messouma Manlanbien grew up between Abidjan and Paris. She lives and works in Paris. Trained at the Ecole des Beaux-Arts in Cergy, Marie-Claire Messouma Manlanbien has developed an ambitious, sensitive and polymorphous personal practice. Creator of new forms, explorer of materials and signs, Marie-Claire Messouma Manlanbien defines herself as a storyteller of poems. Like labyrinths or rebus, her works compose new topographies around the themes of femininity, identity and the body, at the crossroads of her Caribbean and West African heritage. The artist’s works, on the border of sculpture, weaving and installation, offer us the possibility of navigating the meanders of their poetic narratives, of losing the landmarks that have been bequeathed to us in order to perhaps better redraw a path of life that is our own. ...

Marie-Claire Messouma Manlanbien: Artworks
#Map - 27
Marie-Claire Messouma Manlanbien#Map - 27, 2021Price on Request
#Map - 26
Marie-Claire Messouma Manlanbien#Map - 26, 2021Price on Request
#Map 24
Marie-Claire Messouma Manlanbien#Map 24, 2018Price on Request
Maternités
Marie-Claire Messouma ManlanbienMaternités, 2023Price on Request
Corps entre vagues et cieux
Marie-Claire Messouma ManlanbienCorps entre vagues et cieux, 202311000 EUR
Corps mêlés - Tenir le lien
Marie-Claire Messouma ManlanbienCorps mêlés - Tenir le lien, 202311000 EUR
La nuit
Marie-Claire Messouma ManlanbienLa nuit, 202328000 EUR
Map, ceramic, grattoir et cheveux
Marie-Claire Messouma ManlanbienMap, ceramic, grattoir et cheveux, 20236000 EUR
Map, hair, and razorblade
Marie-Claire Messouma ManlanbienMap, hair, and razorblade, 202314000 EUR
Plante aux yeux
Marie-Claire Messouma ManlanbienPlante aux yeux, 20235000 EUR
Prendre soin
Marie-Claire Messouma ManlanbienPrendre soin, 20239500 EUR
Take care
Marie-Claire Messouma ManlanbienTake care, 202312000 EUR
Organic Landscape #2
Marie-Claire Messouma ManlanbienOrganic Landscape #2, 202430000 EUR
Human intra natura, Nuit
Marie-Claire Messouma ManlanbienHuman intra natura, Nuit, 202422000 EUR
Sans titre
Marie-Claire Messouma ManlanbienSans titre, 20245000 EUR
Galerie Cécile Fakhoury
Gallery
Galerie Cécile Fakhoury
Abidjan, Paris, Dakar

Galerie Cecile Fakhoury opened its doors in Abidjan, Ivory Coast in September 2012. In May 2018, the gallery inaugurated its second space in Dakar, Senegal and a showroom in Paris, France. Shortly after, in March 2020, a new project space dedicated to emerging artists from Africa opened in Abidjan. In October 2021, Galerie Cecile Fakhoury inaugurated another gallery, opening in the 8th arrondissement of Paris on Avenue Matignon. The gallery promotes contemporary art from Africa and the Diaspora by providing visibility to the artistic diversity and creative spirit from the continent. Through its programming of solo and group exhibitions, participation in international art fairs, biennales, and collaboration with international galleries, Cecile Fakhoury is a leading force putting contemporary African art on the global map. The artists represented by the gallery are distinguished by their cultural identities and stories, they create a new language that crosses geographical boundaries and familiarities. They are observers of the world they live in, critics of society, and committed to their positions living within complex histories. In turn, they ask us to reconsider our own relation to the world. ...