Untitled

Jonathan Binet

Untitled, 2018160 x 98 x 3cmSign in to view price
Details
MaterialGallery
double glazed, tempered glassBalice Hertling
Description
Human-crafted. AI-refined.

This minimal, geometric artwork features a prominent black triangular shape against a white background. The composition showcases a striking contrast between the clean, angular lines of the black triangle and the stark, monochromatic backdrop. The artist appears to have employed a reductive, modernist approach, focusing on essential forms and emphasizing the interplay of positive and negative space. This piece likely reflects the artist's intention to explore the visual power of simple, archetypal shapes and the emotive potential of a pared-down aesthetic, characteristic of the mid-20th century Minimalist movement. ...

Similar Artworks
Red Kayak
Xinyi Cheng 程心怡 Red Kayak, 2020
200 x 165cm
Organic Landscape #2
Marie-Claire Messouma ManlanbienOrganic Landscape #2, 2024
250 x 120cm
Écaille II
Jean-Marie AppriouÉcaille II, 2018
22 x 240 x 102cm
10 to 16
Clementine Bruno10 to 16, 2023
23 x 31.5 x 3cm
Swimmer
Xinyi Cheng 程心怡 Swimmer, 2020
80 x 100cm
Seated astronaut II
Jean-Marie AppriouSeated astronaut II, 2021
68.88 x 59.06 x 20.96cm
Aperitif
Xinyi Cheng 程心怡 Aperitif, 2018
105 x 90cm
Standing astronaut VI
Jean-Marie AppriouStanding astronaut VI, 2021
120.95 x 53.04 x 33.99cm
La nuit
Marie-Claire Messouma ManlanbienLa nuit, 2023
225 x 185cm
Papillon de nuit 6
Jean-Marie AppriouPapillon de nuit 6, 2018
46 x 47 x 8cm
Human intra natura, Nuit
Marie-Claire Messouma ManlanbienHuman intra natura, Nuit, 2024
135 x 185cm
Untitled
Xinyi Cheng 程心怡 Untitled, 2021
55 x 46cm
Maternités
Marie-Claire Messouma ManlanbienMaternités, 2023
190 x 75cm
Jardin d'été Bas Relief
Jean-Marie AppriouJardin d'été Bas Relief, 2021
75.9 x 73.03 x 11.13cm
The Midnight Fire
Xinyi Cheng 程心怡 The Midnight Fire , 2020
60 x 73cm
Poppies and Roses
Jean-Marie AppriouPoppies and Roses, 2021
50.16 x 46.02 x 13cm
Sans titre
Marie-Claire Messouma ManlanbienSans titre, 2024
35 x 25cm
Plante aux yeux
Marie-Claire Messouma ManlanbienPlante aux yeux, 2023
34 x 24cm
The Sword of the North Shaman (walking)
Jane
Xinyi Cheng 程心怡 Jane, 2019
61 x 50cm
Untitled
Xinyi Cheng 程心怡 Untitled, 2021
55 x 46cm
Prendre soin
Marie-Claire Messouma ManlanbienPrendre soin, 2023
102 x 92cm
The Seal Shaman (incantation)
Jean-Marie AppriouThe Seal Shaman (incantation), 2022
125.7 x 35.6 x 30.5cm
Parapetto
Xinyi Cheng 程心怡 Parapetto, 2021
160 x 145cm
#Map - 26
Marie-Claire Messouma Manlanbien#Map - 26, 2021
90 x 150cm
Oscillation 7
Jean-Marie AppriouOscillation 7, 2022
38 x 35 x 7cm
Heirloom Velvet
Take care
Marie-Claire Messouma ManlanbienTake care, 2023
162 x 64cm
Heirloom Velvet
Crimson
Anna-Sophie BergerCrimson, 2022
90 x 120cm
Jusepé
Florian & Michael QuistrebertJusepé, 2021
70 x 50cm
The Hours After
Fountain IV
Xinyi Cheng 程心怡 Fountain IV, 2012
36 x 37 x 25cm
Ama (tali)
Jean-Marie AppriouAma (tali), 2021
72 x 30 x 25cm
Jonathan Binet
Artist
Jonathan Binet
B.1989, French

Jonathan Binet’s work is characterised by the presence of body and movement. His paintings, installations and sculptures are directly performed through and against the space of their exhibition. Binet’s shows are full of obstacles and interventions, forcing the viewer to navigate through sprayed lines, holes in walls, aeroplane carcasses, pencil marks, frames from which the paintings are missing, and then paintings blank in their abstraction. Such elements, like clues to some fictional narrative, are both deliberate and accidental and make up a space that looks like an artists studio abandoned in a hurry. Relying on external forces of time, gravity and entropy, Binet’s work is always honest and performative. Written by Goldsmiths CCA ...

Jonathan Binet: Artworks
Sans titre
Jonathan BinetSans titre, 2015
175.3 x 231.1 x 43.2cm
Untitled
Jonathan BinetUntitled , 2018
200 x 170 x 6.5cm
Untitled
Jonathan BinetUntitled, 2018
160 x 98 x 3cm
Untitled
Jonathan BinetUntitled, 2018
210 x 180 x 8cm
Untitled
Jonathan BinetUntitled, 2018
210 x 180 x 10cm
Untitled
Jonathan BinetUntitled, 2015
216 x 180 x 10cm
Sans Titre
Jonathan BinetSans Titre , 2019
166 x 126 x 3cm
Sans Titre
Jonathan BinetSans Titre, 2019
184 x 150 x 5cm
Sans Titre
Jonathan BinetSans Titre, 2019
170 x 130 x 5cm
P.A.M.F
Jonathan BinetP.A.M.F, 2020
130 x 97cm
Big Think
Jonathan BinetBig Think, 2020
130 x 97cm
Untitled
Untitled
Untitled
Untitled
Balice Hertling
Gallery
Balice Hertling
Paris, Paris

Balice Hertling was founded in 2007 by Daniele Balice and Alexander Hertling. Balice Hertling has hosted the debut solo shows of many artists like Camille Blatrix, Xinyi Cheng and Isabelle Cornaro—all of whom have gone on to earn widespread recognition. From 2012 to 2016, gallery founders Daniele Balice and Alexander Hertling operated a project space in Manhattan. Returning to France in 2017, they relocated the main gallery to Paris’ Marais district and transformed the former Belleville location into a space for curated projects and shows by younger artists. Indeed, many artists represented by the gallery exemplify unique subcommunities of the emergent art world. This breadth of representation also translates to a breadth of medium, as the gallery represents painters as well as artists working in mixed media such as film, performance and sculptural objects. The gallery also represents artists whose careers are more established : British conceptual artist Stephen Willats, Syrian-born painter and sculptor Simone Fattal, and Italian artist Enzo Cucchi. In its programming and practices, Balice Hertling constantly works toward creating a more diverse and equitable art landscape. In this spirit, the gallery is proud to represent the Estate of Behjat Sadr, who was the first woman artist to be recognized as a modern master in Iran. As a result of the pandemic, the gallery co-founded « Palai » in the summer of 2021, a yearly exhibition hosting a small group of galleries from around the world, in historic locations in Lecce, a city in Italy's Puglia region. Palai is neither a curated exhibition nor a fair, it is thought to be a version of a residency, a collegial collaboration, where artists, galleries, and friends of the art world come together. In 2021 Balice Hertling relocated and brought closer both spaces in the Marais with a new main space inaugurated by a Ser Serpas scultpure solo show, and a new showroom and project space on rue de Montmorency. ...

Unlock Price & Inquiry Access