Megan Plunkett

The Crawling Key 04, 20239.9 x 15.2 x 1.3cmPrice on Request

Details

MaterialGalleryLocation

inkjet print on glossy, metallic paper mounted on foamcoreSweetwaterBerlin

Description

Human-crafted. AI-refined.

This contemporary artwork features a vibrant, pop art-inspired can depicting a hurricane weather scene. The bold colors, cartoonish illustration, and playful title "Hurricane Weather" create a striking visual contrast. The composition highlights the dynamic movement and energy associated with hurricanes, with the stylized figure appearing to be weathering the storm. The artist's technique blends graphic design elements with a humorous, tongue-in-cheek approach, likely commenting on the duality of the powerful yet unpredictable nature of hurricanes. This work reflects the artist's engagement with contemporary culture and their unique perspective on the relationship between humans and the natural environment. ...

Similar Artworks

Gala Porras-KimComposite artifact 2, 2015Price on Request

Anna-Sophie Bergerclever, 20176000 EUR

Sophie WahlquistCanalicoli (Dawn), 20238000 USD

Martine SymsLuxury is personal, 202115000 USD

Jacqueline Kiyomi GorkAttenuator No. 4, 202115000 USD

Carmen ArgoteHolding: the muscular skin, 20246000 USD

Math Basscrocodile eyes, 2021Price on Request

Gala Porras-KimComposite artifact 1, 2015Price on Request

Carmen ArgoteAlex with Wampa, 2014Price on Request

Danielle Deancirca 1400/2025, 2025Price on Request

Olivia Erlanger6:13 AM, 2022Price on Request

Martine SymsDo you have any film posters of ... BLACK MOVIES? He understands, 202115000 USD

Milano ChowScene with Caryatids, 2023Price on Request

Anna-Sophie Bergerlewd & wealthy, 202210000 USD

Claire TabouretPortrait with blond curls, 20181200 EUR

Artist

Megan Plunkett

1985 , American

Megan Plunkett (b. 1985 in Pasadena, CA, US) lives and works in Los Angeles, US. The image-based practice of Megan Plunkett is an investigation of material conditions and visual economies of reality in photography. Working with the physical space of an exhibition, she utilises movement, seriality and other types of disambiguation to cultivate a sense of estrangement and distance within familiar and mundane images, often harvested online. Her installations are set up to create moments where the material conditions of an image are made clear, and then disrupted. As such, Plunkett’s work is constantly pushing back against a false sense of totality or wholeness in favour of a photographic activity that expands outwards, where images are invariably bound up and imbricated with each other and their archive. ...