Madame Tussauds (Her Majesty)
Details
MaterialGallery
acrylic and gesso on canvas (diptych)In Situ – Fabienne Leclerc
Description
Human-crafted. AI-refined.

This contemporary artwork features a striking blend of geometric shapes, bold colors, and surreal elements. The composition is divided into distinct sections, with a prominent yellow triangle contrasting against the dark, angular patterns. The central focus is a vintage-style chair set atop a vibrant checkerboard floor, creating an intriguing juxtaposition of modern and traditional elements. The overall style suggests a playful and whimsical approach, blending abstract expressionism with elements of collage and Dada. The artist's intention seems to challenge conventional perceptions of space, time, and the relationship between the natural and the artificial. ...

Similar Artworks
space reflected owner I
Tolia Astakhishvili
space reflected owner I, 2023
The young girl (Marguerite)
Mathilde Albouy
The young girl (Marguerite), 2024
117 x 40cm
p.p. [portable portal or for promise]
Elli Antoniou
p.p. [portable portal or for promise], 2023
23 x 39cm
O-ist student painting
Jim Shaw
O-ist student painting, 2000
61 x 61cm
There is something soft
Tolia Astakhishvili
There is something soft, 2023
107 x 75.5 x 0.5cm
Combien tu veux ?
Mathilde Albouy
Combien tu veux ?, 2023
29 x 29cm
Checkered Life
Natalie Sasi Organ
Checkered Life, 2023
30 x 30cm
Unresolved Shadows (Ibis)
Paul Maheke
Unresolved Shadows (Ibis), 2020
32.5 x 43cm
reversing forward - (i)
Elli Antoniou
reversing forward - (i), 2023
23 x 39cm
Les favorites (I might protect you) (I)
Mathilde Albouy
Les favorites (I might protect you) (I), 2024
200 x 20cm
the storyteller
Tolia Astakhishvili
the storyteller, 2023
253 x 190cm
Raw and Exposed
Natalie Sasi Organ
Raw and Exposed, 2023
34.5 x 24.5cm
rotor: axel infusion
Elli Antoniou
rotor: axel infusion, 2023
67 x 47cm
What is the Law? Not to Spill Blood
Jim Shaw
What is the Law? Not to Spill Blood, 2019
91.4 x 121.9 x 4.4cm
Simple judgments and polite answers
Tolia Astakhishvili
Simple judgments and polite answers, 2019
29 x 21cm
Gisant II
Paul Maheke
Gisant II, 2024
39.8 x 129.7cm
Mesmerizing Pagoda Lantern – Cabbage-Butterfly Aquatic Ultramundane Flowers
Haegue Yang
Mesmerizing Pagoda Lantern – Cabbage-Butterfly Aquatic Ultramundane Flowers, 2023
116 x 70 x 70cm
Amoretti
RM
Amoretti, 2024
30 x 40cm
some shoulders are wings of others
Tolia Astakhishvili
some shoulders are wings of others, 2025
450 x 350 x 180cm
The unfaithful
Mathilde Albouy
The unfaithful, 2024
117 x 40cm
reversing forward - (ii)
Elli Antoniou
reversing forward - (ii), 2023
23 x 39cm
O-ist student painting
Jim Shaw
O-ist student painting, 2000
61 x 61cm
Ancestral Muse V
Paul Maheke
Ancestral Muse V, 2023
93 x 68 x 4.5cm
Omni
Modulation
Jessy Razafimandimby
Modulation, 2024
147 x 63 x 3.6cm
Ramin Haerizadeh, Rokni Haerizadeh, Hesam Rahmanian
Artist
Ramin Haerizadeh, Rokni Haerizadeh, Hesam Rahmanian
B.1997

In Ramin, Rokni and Hesam’s art making, production is performance and the performance is a collective action leading to dance, art, and politics. The trio investigate a model of how to collaborate, translating it into multiple forms which often evolves around artists and people from different walks of life. Through this body assembly, creating a self-sustaining creative life; how to build an aesthetic and undermine it; how to be politically acute and humorous, generous and eccentric. Their work is often referred to as a landscape where the complex nature of processing is integrated in the nested system that forms the landscape of their practice. Their home is a working studio which is also a filmset and movie theatre, a museum and research center. The house informs their art as it results from both collective and individual endeavor. The artists are not a distinct group or collective, there is no name or label for the trio as their practice often evolves around other artists and friends. Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian’s early collaborative practice formed as early as 1997 in Tehran, though the artists reside in the U.A.E since 2009. ...

Ramin Haerizadeh, Rokni Haerizadeh, Hesam Rahmanian: Artworks
Where To? Wherever It Chances
Where To? Wherever It Chances
Madame Tussauds (Her Majesty)
The Exquisite Corpse 5, (Siah)
Alluvium (Gol o Morq - bird and flower)
Ramin Haerizadeh, Rokni Haerizadeh, Hesam Rahmanian
Alluvium (Gol o Morq - bird and flower), 2023
81 x 87 x 70cm
Where To? Wherever It Chances
Covered the Fingernails with Petals of Dahlia
Ramin Haerizadeh, Rokni Haerizadeh, Hesam Rahmanian
Covered the Fingernails with Petals of Dahlia, 2017
250 x 181 x 1cm
Covered the Fingernails with Petals of Dahlia
Ramin Haerizadeh, Rokni Haerizadeh, Hesam Rahmanian
Covered the Fingernails with Petals of Dahlia, 2018
201 x 148 x 1cm
In Situ – Fabienne Leclerc
Gallery
In Situ – Fabienne Leclerc
Romainville

Founded by Fabienne Leclerc in 2001, In Situ began in the 13th district of Paris alongside a group of galleries in rue Louise Weiss. After seven years in the 6th, the gallery moved to the Marais in November 2013, then to the Stalingrad district in January 2017. Since October 2019, In Situ - fabienne leclerc has moved into a new space in Romainville, accompanied by Air de Paris, gallery Jocelyn Wolff, gallery Sator the FRAC Ile-de-France as well as the Fiminco Foundation. The ambition of In Situ - fabienne leclerc is to promote young and emerging artists in France and internationally, and to support its established artists in the long term. The gallery strives to support and promote the work of its artists in the gallery, in associated museums and institutions, and to produce and edit artist catalogues and books. ...

Unlock Price & Inquiry Access