This minimalist sculpture features a monolithic gray concrete slab juxtaposed with a vivid red triangular form at its base. The overall composition creates a striking visual contrast, with the geometric shapes and muted tones evoking a sense of balance and tension. The artist's use of industrial materials and simplified forms reflects the aesthetic of Brutalist architecture, emphasizing the inherent qualities of the materials and their relationship to the surrounding space. This work exemplifies the avant-garde spirit of contemporary sculpture, challenging traditional notions of form and engaging the viewer's perception of space and the built environment. ...
Santiago Reyes Villaveces´ practice follows a material investigation of structures, assemblages, and dynamics that evidence states of transitivity and precariousness. The works comprise installations, sculptures, drawings, and photographs that address different relations of temporal indetermination. They transform, determine, modify, and interfere with the spaces in which they operate; affecting
the way in which the spectator occupies and perceives physical space. The different materials that Reyes uses are characterised by
notions of tension, scale, volume, weight, gravity, surface, pressure, contention, resistance, depth and limit. Such notions configure systems that produce new relationships between spaces, architectures and the bodies of the spectators.
His works explore a latent architectural sensibility that is evident in precarious structures; mostly visible in—but not limited to—everyday urban life in Latin American cities. The architectural mediations I address relate to urban detritus overlooked by-products of construction, and improvised temporary structures, underscoring a latent sophistication in anonymous ways of doing. ...
Instituto de Vision is a Bogotá and New York based gallery for conceptual practices. Their mission is to investigate conceptual discourses that have been neglected by the official Latin American art canon. They have recovered important estates from the Latin American art of the mid century and continue to research the most enigmatic oeuvres of the region. Through a parallel program, they represent some of the most relevant contemporary practices from Colombia, Chile, North America, Venezuela, and others. Directed by three women, Instituto de Vision gives special attention to female voices, queer theories, environmental activism, the conflicts of migration, and other critical positions that challenge the established order. Using the international art scene as a platform, they are committed to give visibility and expand the work of artists that reveal critical realities and raise important questions for these contemporary subjects. ...
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