Details
MaterialGallery
drawing on wall, silver (au)Instituto de Visión
Description
Human-crafted. AI-refined.

The artwork appears to be a monochromatic abstract composition, dominated by various shades of grey and white. The canvas is filled with a chaotic, textured pattern resembling brushstrokes or feathers, creating a sense of movement and dynamism. The overall effect is one of visual rhythm and a meditative, ethereal quality. While the piece does not depict any recognizable subject matter, the artist's use of texture and color evokes a contemplative mood, inviting the viewer to engage with the work on a purely sensory level. The artwork seems to explore the expressive potential of abstract, gestural painting techniques. ...

Similar Artworks
Projections 1
Gala Porras-Kim
Projections 1, 2015
60.96 x 81.28 x 20.32cm
2 embroidered fragments from Kertch reconstruction
Gala Porras-Kim
2 embroidered fragments from Kertch reconstruction, 2018
265 x 183 x 5cm
The Purple Chamber Series (II)
Paul Maheke
The Purple Chamber Series (II), 2023
85 x 180cm
Muva Gaia
Martine Syms
Muva Gaia, 2021
84.14 x 62.87 x 3.81cm
Los abrazos del viento
Daniel Otero Torres
Los abrazos del viento, 2024
230 x 165cm
Hibiscus Fruit-Red Yellow (two males uprising) with Anansi Spider
Alvaro Barrington
Hibiscus Fruit-Red Yellow (two males uprising) with Anansi Spider, 2019
213.4 x 167.6 x 3.8cm
Luxury is personal
Martine Syms
Luxury is personal, 2021
84.14 x 62.87 x 3.81cm
Chendu Rose
Do you have any film posters of ... BLACK MOVIES? He understands
Martine Syms
Do you have any film posters of ... BLACK MOVIES? He understands, 2021
84.46 x 62.87 x 3.81cm
1 dry idol with arm, bark with copal, six idol limbs
Gala Porras-Kim
1 dry idol with arm, bark with copal, six idol limbs, 2020
61 x 46cm
Los abrazos del viento
Daniel Otero Torres
Los abrazos del viento, 2023
230 x 165cm
Big Ocean, Caribbean Blues, L, August
Alvaro Barrington
Big Ocean, Caribbean Blues, L, August, 2024
192.5 x 207.5 x 7.5cm
Ancestral Muse IV
Paul Maheke
Ancestral Muse IV, 2023
93 x 68 x 4.5cm
Between I am and you are
Karen Paulina Biswell
Between I am and you are, 2019
100 x 80cm
The plan was D, for dog, but also others (bed making)
Helen Marten
The plan was D, for dog, but also others (bed making), 2023
280 x 245 x 8.5cm
O Do Rot Coat Roast Aortic Actions Tornados Consortia Rodin’s Coat
Jesse Wine
O Do Rot Coat Roast Aortic Actions Tornados Consortia Rodin’s Coat, 2024
180.3 x 45.7 x 45.7cm
Future Spaces Replicate Earlier Spaces (Stacked Acrobats 1)
Gala Porras-Kim
Future Spaces Replicate Earlier Spaces (Stacked Acrobats 1), 2016
57.15 x 43.18cm
A proposal for a parakeet's garden
Adham Faramawy
A proposal for a parakeet's garden, 2021
10.16 x 58.42cm
Untitled
Alvaro Barrington
Untitled, 2025
212 x 272 x 8cm
Los abrazos del vient
Daniel Otero Torres
Los abrazos del vient, 2023
230 x 165cm
Gisant II
Paul Maheke
Gisant II, 2024
39.8 x 129.7cm
Two or tree birds invent a garden
Karen Paulina Biswell
Two or tree birds invent a garden, 2019
100 x 80cm
Hipopotamo y cría
Alberto Baraya
Hipopotamo y cría, 2014
30 x 20cm
Santiago Reyes Villaveces
Artist
Santiago Reyes Villaveces
B.1986, Colombian

Santiago Reyes Villaveces´ practice follows a material investigation of structures, assemblages, and dynamics that evidence states of transitivity and precariousness. The works comprise installations, sculptures, drawings, and photographs that address different relations of temporal indetermination. They transform, determine, modify, and interfere with the spaces in which they operate; affecting the way in which the spectator occupies and perceives physical space. The different materials that Reyes uses are characterised by notions of tension, scale, volume, weight, gravity, surface, pressure, contention, resistance, depth and limit. Such notions configure systems that produce new relationships between spaces, architectures and the bodies of the spectators. His works explore a latent architectural sensibility that is evident in precarious structures; mostly visible in—but not limited to—everyday urban life in Latin American cities. The architectural mediations I address relate to urban detritus overlooked by-products of construction, and improvised temporary structures, underscoring a latent sophistication in anonymous ways of doing. ...

Santiago Reyes Villaveces: Artworks
Libra
Skylink corner
Santiago Reyes Villaveces
Skylink corner, 2021
175 x 35 x 20cm
Moon crater Dorothy Vaughan
Santiago Reyes Villaveces
Moon crater Dorothy Vaughan, 2021
60 x 80 x 4cm
Veo la tierra
Goodwill Moon Rock Colombia
Santiago Reyes Villaveces
Goodwill Moon Rock Colombia, 2018
115 x 115cm
Fiebre de Chocó (Atrato) II
Santiago Reyes Villaveces
Fiebre de Chocó (Atrato) II, 2019
80 x 50cm
Biombo
Fundadores (proyecto)
Santiago Reyes Villaveces
Fundadores (proyecto), 2016
120 x 85cm
Caracola
Instituto de Visión
Gallery
Instituto de Visión
Bogotá, New York City

Instituto de Vision is a Bogotá and New York based gallery for conceptual practices. Their mission is to investigate conceptual discourses that have been neglected by the official Latin American art canon. They have recovered important estates from the Latin American art of the mid century and continue to research the most enigmatic oeuvres of the region. Through a parallel program, they represent some of the most relevant contemporary practices from Colombia, Chile, North America, Venezuela, and others. Directed by three women, Instituto de Vision gives special attention to female voices, queer theories, environmental activism, the conflicts of migration, and other critical positions that challenge the established order. Using the international art scene as a platform, they are committed to give visibility and expand the work of artists that reveal critical realities and raise important questions for these contemporary subjects. ...

Unlock Price & Inquiry Access