Louis Vuitton Jeff Koons Da Vinci Bag, Pink Model

Sara Cwynar

Louis Vuitton Jeff Koons Da Vinci Bag, Pink Model, 202376.2 x 91.4cmSign in to view price
Details
MaterialGallery
archival pigment print mounted on dibondThe approach
Description
Human-crafted. AI-refined.

This visually striking contemporary artwork features a collage-like composition of vibrant colors, geometric shapes, and eclectic imagery. The prominent central element is a large, surreal eye surrounded by an array of pop culture references, including cartoon characters, advertisements, and various symbols. The overall style combines elements of surrealism, pop art, and digital manipulation, creating a bold and thought-provoking visual statement. The artist's intention seems to explore themes of consumerism, media influence, and the fragmented nature of modern perception and identity. ...

Similar Artworks
Toy Watch
Laurie SimmonsToy Watch, 1976
20.3 x 29.2cm
Lace Interlace VII
Sara VanDerBeekLace Interlace VII, 2023
191 x 104 x 58cm
Reverent Joan 3
Magnolia
Sara VanDerBeekMagnolia, 2023
61 x 45.7cm
Sphinx (purple)
Mirrored
Sara VanDerBeekMirrored, 2023
61 x 42.5cm
Untitled
Bunny RogersUntitled, 2020
220.3 x 173.3 x 7.5cm
Le Coup au Coeur
Alex Da CorteLe Coup au Coeur, 2022
48.5 x 24.8 x 4.7cm
Queen's Angel
Bunny RogersQueen's Angel, 2024
112 x 122 x 7cm
Sphinx 2
Bunny RogersSphinx 2, 2023
32.5 x 43 x 3cm
UNTITLED APRON
Amanda Ross-HoUNTITLED APRON, 2011
215.9 x 147.32cm
Brothers/ Hay
A Turned Circle
Sara VanDerBeekA Turned Circle, 2010
50.8 x 40.6cm
WARM WINE (PINOT NOIR)
Shift
Sara VanDerBeekShift, 2014
61 x 40.6cm
Sphinx 24
Sewn To The Sky (Libra)
Alex Da CorteSewn To The Sky (Libra), 2020
185.4 x 185.4 x 20.3cm
Cavatica’s Moon Song
Alex Da CorteCavatica’s Moon Song, 2020
182.9 x 182.9 x 11.4cm
Reverent Joan 4
Blue Velvet
Sara VanDerBeekBlue Velvet, 2012
50.8 x 40cm
THE UNSUB
Amanda Ross-HoTHE UNSUB, 2014
305 x 549cm
Fuzzy Pink Dress
Laurie SimmonsFuzzy Pink Dress, 1984
152.4 x 101.6cm
Electronic Renaissance
Alex Da CorteElectronic Renaissance, 2021
185.4 x 185.4 x 7.6cm
Rose Joan on mud blanket
Skylight
Trisha BagaSkylight, 2024
139.5 x 124.5 x 6cm
Year of The Hurricane
Alex Da CorteYear of The Hurricane, 2020
292.1 x 322.6 x 15.2cm
Eclipse 2
Sara VanDerBeekEclipse 2, 2008
50.8 x 40.64cm
Sphinx (blue)
Bunny RogersSphinx (blue), 2023
32.5 x 43 x 3cm
Untitled
Richard PrinceUntitled, 2019
205.7 x 129.5 x 4cm
Nuwaub. Chair
Juliana HuxtableNuwaub. Chair, 2012
20.3 x 25.4cm
Muva Gaia
Martine SymsMuva Gaia, 2021
84.14 x 62.87 x 3.81cm
Sara Cwynar
Artist
Sara Cwynar
B.2020, Canadian

Sara Cwynar works with photography, installation and film, using these mediums to digest the way in which desire is cultivated within capitalist society. Working to tackle ‘soft misogyny’ (casual, everyday sexism that goes unnoticed), Cwynar frequently works with collage to unearth the historical dominance and seduction of images. Working with two-dimensional collaged materials and female models, Cwynar commonly brings these components together in the photography studio. Models wearing couture garments are photographed with a Cezanne or a Reubens painting behind them. To shift the image away from an editorial fashion context, tongue and cheek elements are added to the mix. Cwynar’s models hold up illustrations of cartoon female figures against their own bodies for example. Their physical limbs entangle with fleshy Renaissance torsos behind them and the hyper-feminine drawn silhouettes prefacing these models. Bizarrely, these distinct beauty standards meet in one frame, revealing the fickle nature of attraction. Sitting within kitsch aesthetics, the hyperbolic character of Cwynar’s work does give her installations a humorous tone, yet they undoubtedly unsettle power dynamics propagated by beauty standards. Through these processes, Cwynar is able to disentangle desire from consumption, carving space for less regimented ideals and honest portrayals of femininity. ...

Sara Cwynar: Artworks
Tracy (Gold Circle)
Red Rose II
Tracy in Camo
Pamela as Pamela
Tracy (Moschino)
BOOM
Sara CwynarBOOM, 2020
118.1 x 95.2cm
Simon’s Legs
Rococo Ferrari
Sara CwynarRococo Ferrari, 2024
183.5 x 129.5 x 5cm
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

Unlock Price & Inquiry Access