This vibrant and visually striking artwork is a collage that combines a variety of colorful elements. The composition features an eclectic mix of toys, dolls, and various pop culture references, creating a visually chaotic yet captivating arrangement. The predominant colors are pink, green, and blue, which give the piece a playful and youthful feel. The overall style appears to be a blend of contemporary art techniques, incorporating both found objects and digital elements. The artwork seems to explore themes of consumerism, pop culture, and the complexities of modern society, though the specific context or the artist's intention behind the piece is not clearly evident from the image alone. ...
Sara Cwynar works with photography, installation and film, using these mediums to digest the way in which desire is cultivated within capitalist society. Working to tackle ‘soft misogyny’ (casual, everyday sexism that goes unnoticed), Cwynar frequently works with collage to unearth the historical dominance and seduction of images. Working with two-dimensional collaged materials and female models, Cwynar commonly brings these components together in the photography studio. Models wearing couture garments are photographed with a Cezanne or a Reubens painting behind them. To shift the image away from an editorial fashion context, tongue and cheek elements are added to the mix. Cwynar’s models hold up illustrations of cartoon female figures against their own bodies for example. Their physical limbs entangle with fleshy Renaissance torsos behind them and the hyper-feminine drawn silhouettes prefacing these models. Bizarrely, these distinct beauty standards meet in one frame, revealing the fickle nature of attraction. Sitting within kitsch aesthetics, the hyperbolic character of Cwynar’s work does give her installations a humorous tone, yet they undoubtedly unsettle power dynamics propagated by beauty standards. Through these processes, Cwynar is able to disentangle desire from consumption, carving space for less regimented ideals and honest portrayals of femininity. ...
The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...
