Louis Vuitton Jeff Koons Da Vinci Bag, Pink Model

Sara Cwynar

Louis Vuitton Jeff Koons Da Vinci Bag, Pink Model, 202376.2 x 91.4cmSign in to view price
Details
MaterialGallery
archival pigment print mounted on dibondThe approach
Description
Human-crafted. AI-refined.

The artwork features a vibrant collage of colorful shapes, patterns, and images. The dominant element is a large, central eye that appears to be the focal point, surrounded by a chaotic arrangement of various pop culture references, including logos, symbols, and fragments of media. The overall composition is dynamic and visually striking, blending digital and analog elements to create a surreal, visually stimulating experience. The artist seems to be exploring themes of consumerism, media saturation, and the overwhelming nature of contemporary visual culture. ...

Similar Artworks
Country Road
Laurie Simmons
Country Road, 1984
152.4 x 101.6cm
Sewn To The Sky (Aries)
Alex Da Corte
Sewn To The Sky (Aries), 2020
185.4 x 185.4 x 20.3cm
Untitled Prototype #5 (DIRTY GLOVES)
Amanda Ross-Ho
Untitled Prototype #5 (DIRTY GLOVES), 2018
71.1 x 91.4cm
The Garden
Sara VanDerBeek
The Garden, 2023
61 x 40.6cm
Sphinx 19
Bunny Rogers
Sphinx 19, 2023
32.5 x 43 x 3cm
Electric Prism III
Sara VanDerBeek
Electric Prism III, 2015
50.8 x 38.7cm
Untitled Vestment #1 (HAVE NOT)
Amanda Ross-Ho
Untitled Vestment #1 (HAVE NOT), 2016
203 x 122cm
A Man's Image
Alex Da Corte
A Man's Image, 2019
142.2 x 718.8 x 7.6cm
The Love Doll / Day 26 (Shoes)
Laurie Simmons
The Love Doll / Day 26 (Shoes), 2010
177.8 x 133.4cm
American Speech (Red Hot and Very Blue in Technicolor)
Alex Da Corte
American Speech (Red Hot and Very Blue in Technicolor), 2021
280 x 293.5 x 116cm
Reverent Joan 4
Bunny Rogers
Reverent Joan 4, 2020
36 x 31 x 3cm
Mother
THE UNSUB
Amanda Ross-Ho
THE UNSUB, 2014
305 x 549cm
Blue Hair/Red Dress/Green Room/Arms Up
Laurie Simmons
Blue Hair/Red Dress/Green Room/Arms Up, 2014
177.8 x 121.9cm
Sphinx 3
Bunny Rogers
Sphinx 3, 2023
32.5 x 43 x 3cm
The Love Doll/Day 32 (Blue Geisha Close-up)
Laurie Simmons
The Love Doll/Day 32 (Blue Geisha Close-up), 2011
76.2 x 101.6cm
Ostia Antica
Sara VanDerBeek
Ostia Antica, 2012
50.8 x 40cm
Untitled Crisis Actor (Restless unsettled Cries inconsolably)
Amanda Ross-Ho
Untitled Crisis Actor (Restless unsettled Cries inconsolably), 2018
148 x 142cm
Her Cribellate's Mourning Lily
Alex Da Corte
Her Cribellate's Mourning Lily, 2021
182.9 x 182.9 x 10.8cm
Lace Interlace VIII
Sara VanDerBeek
Lace Interlace VIII, 2023
61 x 40.6cm
Untitled
Richard Prince
Untitled, 2019
205.7 x 129.5 x 4cm
Nuwaub. Chair
Juliana Huxtable
Nuwaub. Chair, 2012
20.3 x 25.4cm
Muva Gaia
Martine Syms
Muva Gaia, 2021
84.14 x 62.87 x 3.81cm
Skylight
Trisha Baga
Skylight, 2024
139.5 x 124.5 x 6cm
Sphinx (blue)
Bunny Rogers
Sphinx (blue), 2023
32.5 x 43 x 3cm
Toy Clock
Laurie Simmons
Toy Clock, 1976
20.3 x 29.2 x 8.3cm
As Long As The Sun Lasts
Alex Da Corte
As Long As The Sun Lasts, 2021
815.3 x 716.3 x 286.4cm
DEAD BLADES
Amanda Ross-Ho
DEAD BLADES, 2014
40.6 x 10.2cm
Sara Cwynar
Artist
Sara Cwynar
B.2020, Canadian

Sara Cwynar works with photography, installation and film, using these mediums to digest the way in which desire is cultivated within capitalist society. Working to tackle ‘soft misogyny’ (casual, everyday sexism that goes unnoticed), Cwynar frequently works with collage to unearth the historical dominance and seduction of images. Working with two-dimensional collaged materials and female models, Cwynar commonly brings these components together in the photography studio. Models wearing couture garments are photographed with a Cezanne or a Reubens painting behind them. To shift the image away from an editorial fashion context, tongue and cheek elements are added to the mix. Cwynar’s models hold up illustrations of cartoon female figures against their own bodies for example. Their physical limbs entangle with fleshy Renaissance torsos behind them and the hyper-feminine drawn silhouettes prefacing these models. Bizarrely, these distinct beauty standards meet in one frame, revealing the fickle nature of attraction. Sitting within kitsch aesthetics, the hyperbolic character of Cwynar’s work does give her installations a humorous tone, yet they undoubtedly unsettle power dynamics propagated by beauty standards. Through these processes, Cwynar is able to disentangle desire from consumption, carving space for less regimented ideals and honest portrayals of femininity. ...

Sara Cwynar: Artworks
Contemporary Floral Arrangement - #144551 () #2 The Relationship is a Matter of Style
Sara Cwynar
Contemporary Floral Arrangement - #144551 () #2 The Relationship is a Matter of Style, 1967
152.4 x 111.8cm
Rose Gold
Tracy (Gold Circle)
Sara Cwynar
Tracy (Gold Circle), 2017
76.2 x 96.5cm
Red Rose II
Sara Cwynar
Red Rose II, 2020
76.2 x 61cm
Louis Vuitton Jeff Koons Da Vinci Bag, Pink Model
Sara Cwynar
Louis Vuitton Jeff Koons Da Vinci Bag, Pink Model, 2023
76.2 x 91.4cm
Contemporary Floral Arrangement - #144551 () #2 The Relationship is a Matter of Style
Sara Cwynar
Contemporary Floral Arrangement - #144551 () #2 The Relationship is a Matter of Style, 1967
152.4 x 111.8cm
Tracy in Camo
Sara Cwynar
Tracy in Camo, 2023
76.2 x 91.4cm
Ruby on Film Set in Western Costume
Sara Cwynar
Ruby on Film Set in Western Costume, 2023
76.2 x 61cm
Pamela as Pamela
Sara Cwynar
Pamela as Pamela, 2023
76.2 x 99.1cm
Western Costume Los Angeles: Jacket (Cheerleader), Pregnancy Pad, Jacket (Band), Showgirl (Trunks, ’s)
Sara Cwynar
Western Costume Los Angeles: Jacket (Cheerleader), Pregnancy Pad, Jacket (Band), Showgirl (Trunks, ’s), 1950
86.4 x 64.8cm
Louis Vuitton Jeff Koons Da Vinci Bag, Pink Model
Sara Cwynar
Louis Vuitton Jeff Koons Da Vinci Bag, Pink Model, 2023
76.2 x 91.4cm
Western Costume Los Angeles: Suit (1780’s, Men’s)
Sara Cwynar
Western Costume Los Angeles: Suit (1780’s, Men’s), 2023
86.4 x 64.8cm
Tracy (Pink Grid Look Down)
Sara Cwynar
Tracy (Pink Grid Look Down), 2017
76.2 x 96.52cm
Virginia from SSENSE.com in the Pink Rose Prada Skirt 2
Sara Cwynar
Virginia from SSENSE.com in the Pink Rose Prada Skirt 2, 2020
76.2 x 61cm
Glass Life
Tracy (Moschino)
Sara Cwynar
Tracy (Moschino), 2017
76.2 x 96.5cm
Flower with Digital Sky iii
Sara Cwynar
Flower with Digital Sky iii, 2021
76.8 x 61.6cm
Tracy (Pink Grid Look Up)
Sara Cwynar
Tracy (Pink Grid Look Up), 2017
76.2 x 96.5cm
BOOM
Sara Cwynar
BOOM, 2020
118.1 x 95.2cm
Ali from SSENSE.com (Something's Got to Give)
Sara Cwynar
Ali from SSENSE.com (Something's Got to Give), 2020
118.1 x 92.7cm
Me and Christina II
Sara Cwynar
Me and Christina II, 2019
Virginia from SSENSE.com in the Pink Rose Prada Skirt
Sara Cwynar
Virginia from SSENSE.com in the Pink Rose Prada Skirt, 2020
76.2 x 61cm
Simon’s Legs
Sara Cwynar
Simon’s Legs, 2020
76.2 x 61cm
Tobacco Silk 1 (Ceramic Art)
Sara Cwynar
Tobacco Silk 1 (Ceramic Art), 2020
76.2 x 61cm
Ali from SSENSE.com (How to Marry a Millionaire)
Sara Cwynar
Ali from SSENSE.com (How to Marry a Millionaire), 2020
76.2 x 61cm
Tobacco Silk 2 (Ceramic Art, Women’s Wrestling League)
Sara Cwynar
Tobacco Silk 2 (Ceramic Art, Women’s Wrestling League), 2020
76.2 x 86.4cm
96 Pictures of Sophie 1, 2 and 3
Sara Cwynar
96 Pictures of Sophie 1, 2 and 3, 2019
120.7 x 286.8cm
Rococo Ferrari
Sara Cwynar
Rococo Ferrari, 2024
183.5 x 129.5 x 5cm
Bridge Imports, 26 w 17th st. NYC, NY
Sara Cwynar
Bridge Imports, 26 w 17th st. NYC, NY, 2024
63 x 78.5 x 4cm
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

Unlock Price & Inquiry Access