Western Costume Los Angeles: Suit (1780’s, Men’s)
Western Costume Los Angeles: Suit (1780’s, Men’s)

Sara Cwynar

Western Costume Los Angeles: Suit (1780’s, Men’s), 202386.4 x 64.8cm16000 USD
Details
MaterialGalleryLocation
archival pigment print mounted to dibondThe approachLondon
Description
Human-crafted. AI-refined.

1. Visual Elements: The artwork features a vibrant red and yellow backdrop that contrasts with the intricate architectural elements of the interior space. The central focal point is a display of blue coats and accessories, showcasing a variety of textures and patterns. 2. Subject Matter: The artwork depicts a display of historical clothing items, likely from a museum or gallery setting, with the coats and accessories taking center stage. 3. Artistic Style and Technique: The artwork employs a collage-like approach, blending different elements and media to create a visually striking and thought-provoking composition. 4. Context: The piece may be exploring themes of cultural heritage, museum curation, or the preservation of historical artifacts, inviting the viewer to consider the significance and interpretation of these objects. ...

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Sara Cwynar
Artist
Sara Cwynar
2020 , Canadian

Sara Cwynar works with photography, installation and film, using these mediums to digest the way in which desire is cultivated within capitalist society. Working to tackle ‘soft misogyny’ (casual, everyday sexism that goes unnoticed), Cwynar frequently works with collage to unearth the historical dominance and seduction of images. Working with two-dimensional collaged materials and female models, Cwynar commonly brings these components together in the photography studio. Models wearing couture garments are photographed with a Cezanne or a Reubens painting behind them. To shift the image away from an editorial fashion context, tongue and cheek elements are added to the mix. Cwynar’s models hold up illustrations of cartoon female figures against their own bodies for example. Their physical limbs entangle with fleshy Renaissance torsos behind them and the hyper-feminine drawn silhouettes prefacing these models. Bizarrely, these distinct beauty standards meet in one frame, revealing the fickle nature of attraction. Sitting within kitsch aesthetics, the hyperbolic character of Cwynar’s work does give her installations a humorous tone, yet they undoubtedly unsettle power dynamics propagated by beauty standards. Through these processes, Cwynar is able to disentangle desire from consumption, carving space for less regimented ideals and honest portrayals of femininity. ...

Sara Cwynar: Artworks
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Tracy (Gold Circle)
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Red Film
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Red Rose II
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The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...