Tobacco Silk 1 (Ceramic Art)

Sara Cwynar

Tobacco Silk 1 (Ceramic Art), 202076.2 x 61cmSign in to view price
Details
MaterialGallery
archival pigment print mounted on dibondThe approach
Description
Human-crafted. AI-refined.

The image depicts a colorful ceramic vase with intricate floral and ornamental patterns. The vibrant red, green, and white colors create a striking and visually appealing composition. The textured and detailed surface of the vase suggests the use of advanced ceramic techniques. The artwork appears to be categorized as "Ceramic Art," which suggests this piece is a representation of the artistic and functional potential of ceramics. The context provided indicates that this type of ceramic art may have gained new relevance and desirability due to the unique material qualities it offers. ...

Similar Artworks
Pebbles In The Sky
Alex Da Corte
Pebbles In The Sky, 2020
182.9 x 182.9 x 7.6cm
Untitled T-Shirt (WORLD MAP #2)
Amanda Ross-Ho
Untitled T-Shirt (WORLD MAP #2), 2015
191 x 130cm
Chorerra
Sara VanDerBeek
Chorerra, 2014
61 x 46.4cm
Untitled Crisis Actor (WORST PAIN IMAGINABLE)
Amanda Ross-Ho
Untitled Crisis Actor (WORST PAIN IMAGINABLE), 2018
142 x 140cm
Untitled Prototype #5 (DIRTY GLOVES)
Amanda Ross-Ho
Untitled Prototype #5 (DIRTY GLOVES), 2018
71.1 x 91.4cm
Hotel Grand Imperial, Dubrovnik
Sara VanDerBeek
Hotel Grand Imperial, Dubrovnik, 2010
50.8 x 40.6cm
The Big Little Falls
Alex Da Corte
The Big Little Falls, 2021
182.9 x 182.9 x 16.5cm
Sphinx 2
Bunny Rogers
Sphinx 2, 2023
32.5 x 43 x 3cm
True Love Will Always Find You In The End
Alex Da Corte
True Love Will Always Find You In The End, 2019
335.3 x 338.5 x 15.3cm
Lace Interlace V
Sara VanDerBeek
Lace Interlace V, 2023
190.5 x 142 x 4.5cm
Tarnished Diamond
Amanda Ross-Ho
Tarnished Diamond, 2013
167.6 x 55.9cm
IGUANA GLAM
Juliana Huxtable
IGUANA GLAM, 2024
153 x 114 x 4.5cm
Tom Ford Sequin Dress XXII (Back VI)
Bunny Rogers
Tom Ford Sequin Dress XXII (Back VI), 2020
220.3 x 173.3 x 7.5cm
The Love Doll / Day 14 (Candy)
Laurie Simmons
The Love Doll / Day 14 (Candy), 2010
177.8 x 119.4cm
Electric Prism I
Sara VanDerBeek
Electric Prism I, 2015
50.8 x 38.7cm
Luxury is personal
Martine Syms
Luxury is personal, 2021
84.14 x 62.87 x 3.81cm
The Future Is On Fire or: Grenade In My Mouth or ...
Alex Da Corte
The Future Is On Fire or: Grenade In My Mouth or ..., 2020
186 x 186 x 7.5cm
Vibrator
Trisha Baga
Vibrator, 2023
152.4 x 122 x 3cm
Untitled
Richard Prince
Untitled, 2019
205.7 x 129.5 x 4cm
Sara Cwynar
Artist
Sara Cwynar
B.2020, Canadian

Sara Cwynar works with photography, installation and film, using these mediums to digest the way in which desire is cultivated within capitalist society. Working to tackle ‘soft misogyny’ (casual, everyday sexism that goes unnoticed), Cwynar frequently works with collage to unearth the historical dominance and seduction of images. Working with two-dimensional collaged materials and female models, Cwynar commonly brings these components together in the photography studio. Models wearing couture garments are photographed with a Cezanne or a Reubens painting behind them. To shift the image away from an editorial fashion context, tongue and cheek elements are added to the mix. Cwynar’s models hold up illustrations of cartoon female figures against their own bodies for example. Their physical limbs entangle with fleshy Renaissance torsos behind them and the hyper-feminine drawn silhouettes prefacing these models. Bizarrely, these distinct beauty standards meet in one frame, revealing the fickle nature of attraction. Sitting within kitsch aesthetics, the hyperbolic character of Cwynar’s work does give her installations a humorous tone, yet they undoubtedly unsettle power dynamics propagated by beauty standards. Through these processes, Cwynar is able to disentangle desire from consumption, carving space for less regimented ideals and honest portrayals of femininity. ...

Sara Cwynar: Artworks
Contemporary Floral Arrangement - #144551 () #2 The Relationship is a Matter of Style
Sara Cwynar
Contemporary Floral Arrangement - #144551 () #2 The Relationship is a Matter of Style, 1967
152.4 x 111.8cm
Rose Gold
Tracy (Gold Circle)
Sara Cwynar
Tracy (Gold Circle), 2017
76.2 x 96.5cm
Red Rose II
Sara Cwynar
Red Rose II, 2020
76.2 x 61cm
Louis Vuitton Jeff Koons Da Vinci Bag, Pink Model
Sara Cwynar
Louis Vuitton Jeff Koons Da Vinci Bag, Pink Model, 2023
76.2 x 91.4cm
Contemporary Floral Arrangement - #144551 () #2 The Relationship is a Matter of Style
Sara Cwynar
Contemporary Floral Arrangement - #144551 () #2 The Relationship is a Matter of Style, 1967
152.4 x 111.8cm
Tracy in Camo
Sara Cwynar
Tracy in Camo, 2023
76.2 x 91.4cm
Ruby on Film Set in Western Costume
Sara Cwynar
Ruby on Film Set in Western Costume, 2023
76.2 x 61cm
Pamela as Pamela
Sara Cwynar
Pamela as Pamela, 2023
76.2 x 99.1cm
Western Costume Los Angeles: Jacket (Cheerleader), Pregnancy Pad, Jacket (Band), Showgirl (Trunks, ’s)
Sara Cwynar
Western Costume Los Angeles: Jacket (Cheerleader), Pregnancy Pad, Jacket (Band), Showgirl (Trunks, ’s), 1950
86.4 x 64.8cm
Louis Vuitton Jeff Koons Da Vinci Bag, Pink Model
Sara Cwynar
Louis Vuitton Jeff Koons Da Vinci Bag, Pink Model, 2023
76.2 x 91.4cm
Western Costume Los Angeles: Suit (1780’s, Men’s)
Sara Cwynar
Western Costume Los Angeles: Suit (1780’s, Men’s), 2023
86.4 x 64.8cm
Tracy (Pink Grid Look Down)
Sara Cwynar
Tracy (Pink Grid Look Down), 2017
76.2 x 96.52cm
Virginia from SSENSE.com in the Pink Rose Prada Skirt 2
Sara Cwynar
Virginia from SSENSE.com in the Pink Rose Prada Skirt 2, 2020
76.2 x 61cm
Glass Life
Tracy (Moschino)
Sara Cwynar
Tracy (Moschino), 2017
76.2 x 96.5cm
Flower with Digital Sky iii
Sara Cwynar
Flower with Digital Sky iii, 2021
76.8 x 61.6cm
Tracy (Pink Grid Look Up)
Sara Cwynar
Tracy (Pink Grid Look Up), 2017
76.2 x 96.5cm
BOOM
Sara Cwynar
BOOM, 2020
118.1 x 95.2cm
Ali from SSENSE.com (Something's Got to Give)
Sara Cwynar
Ali from SSENSE.com (Something's Got to Give), 2020
118.1 x 92.7cm
Me and Christina II
Sara Cwynar
Me and Christina II, 2019
Virginia from SSENSE.com in the Pink Rose Prada Skirt
Sara Cwynar
Virginia from SSENSE.com in the Pink Rose Prada Skirt, 2020
76.2 x 61cm
Simon’s Legs
Sara Cwynar
Simon’s Legs, 2020
76.2 x 61cm
Tobacco Silk 1 (Ceramic Art)
Sara Cwynar
Tobacco Silk 1 (Ceramic Art), 2020
76.2 x 61cm
Ali from SSENSE.com (How to Marry a Millionaire)
Sara Cwynar
Ali from SSENSE.com (How to Marry a Millionaire), 2020
76.2 x 61cm
Tobacco Silk 2 (Ceramic Art, Women’s Wrestling League)
Sara Cwynar
Tobacco Silk 2 (Ceramic Art, Women’s Wrestling League), 2020
76.2 x 86.4cm
96 Pictures of Sophie 1, 2 and 3
Sara Cwynar
96 Pictures of Sophie 1, 2 and 3, 2019
120.7 x 286.8cm
Rococo Ferrari
Sara Cwynar
Rococo Ferrari, 2024
183.5 x 129.5 x 5cm
Bridge Imports, 26 w 17th st. NYC, NY
Sara Cwynar
Bridge Imports, 26 w 17th st. NYC, NY, 2024
63 x 78.5 x 4cm
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

Unlock Price & Inquiry Access