Untitled, Marylin Monroe & Joe Di Maggio, série l'amour c'est du cinéma

Vincent Michéa

Untitled, Marylin Monroe & Joe Di Maggio, série l'amour c'est du cinéma, 2012130 x 130cmSign in to view price
Details
MaterialGallery
acrylique sur toileGalerie Cécile Fakhoury
Description
Human-crafted. AI-refined.

This contemporary artwork features a striking contrast between the vibrant coral-pink background and the bold, graphic black shapes that dominate the composition. The distorted, abstract forms evoke a sense of tension and movement, creating a visually arresting and emotive image. The artist seems to have employed a halftone printing technique, imbuing the piece with a distinctive vintage aesthetic. This work likely explores themes of human emotion, perception, or the interplay between light and shadow, reflecting the artist's unique creative vision and experimentation with visual media. ...

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Vincent Michéa
Artist
Vincent Michéa
B.1963, French

Born in 1963 in Figeac, France. He lives and works in Paris and Dakar. After graduating from the École Supérieure d'Arts Graphiques et d'Architecture Intérieure (ESAG Pennin-ghen) in Paris, Vincent Michéa moved to Dakar in 1986. In 1987, he exhibited his paintings and photographs for the first time at the National Gallery of Senegal. From this exhibition onwards, he worked as an assistant to the renowned graphic designer Roman Cieslewicz until 1991. Greatly encouraged by the latter, Vincent Michéa threw himself into painting profusely. Since 2008, along with the painter Moulay Youssef Elkahfai, Vincent Michéa has been teaching silkscreen printing at the École Supérieure des Arts Visuels (ESAV) in Marrakech, Morocco. Vincent Michéa's work explore the notion of rewriting an image, present notably in his photo-collage work, which he describes in this way : « I cut, I slice, I sculpt, I make incisions, I snip, I rip, I amputate, I behead and I dismember... ». While this statement literally refers to the treatment of the material he uses, it also suggests his approach to telling the past and the present. Nothing - either paper, reality, time, nor history, is immune to the artist's act of dissection and reorientation. ...

Vincent Michéa: Artworks
100% Dakar
Vincent Michéa100% Dakar, 2014
130 x 130cm
Xalis
Vincent MichéaXalis, 2014
130 x 130cm
Amédée Pierre
L'ïle de Gorée
Ife #2
Vincent MichéaIfe #2, 2014
186 x 130cm
Dakar Plateau #1
Anta Pompidou #5
Untitled
Vincent MichéaUntitled, 2013
130 x 130cm
Untitled, Or série
N°222
Vincent MichéaN°222, 2011
100 x 100cm
Zone B
Vincent MichéaZone B, 2012
130 x 130cm
100% Dakar
Vincent Michéa100% Dakar, 2014
130 x 130cm
100% Dakar
21 rue Robert Brun #1
21 rue Robert Brun #2
6éme sillon, recto
6éme sillon, verso
Amadou Balake
Amédée Pierre
Anta Pompidou
Anta Pompidou
Anta Pompidou #5
Anta Pompidou #6
Anta Pompidou #7
Bimi Ombale
Vincent MichéaBimi Ombale, 2007
130 x 130cm
Bintou
Vincent MichéaBintou, 2016
40 x 30cm
Bintou, Or série
Black mary's Baby
Building Maginot
Ca balance aussi
Cabo Verde
Vincent MichéaCabo Verde, 2014
130 x 130cm
Cabo Verde #2 verso
Collage Statuaire #10
Collage Statuaire #15
Collage Statuaire #16
Collage Statuaire #17
Collage Statuaire #18
Collage Statuaire #19
Collage Statuaire #2
Collage Statuaire #3
Collage Statuaire #4
Collage Statuaire #5
Collage Statuaire #6
Collage Statuaire #7
Collage Statuaire #8
Collage Statuaire #9
Dakar - Abidjan
Dakar Plateau #1
Dakar Plateau #2
Dame Jeanne
Disco Club
Djariata, Or série
Emile Nolde #1
Emile Nolde #2
Emile Nolde #3
Ernesto Djedje
Fatou Blue Shadow
Fatou Green Shadow
Fatou New Pompidou
Fatou Pompidou #14
Fatou Pompidou #18
Fatou Pompidou #5
Fatou Yellow Shadow
Fax Clark
Vincent MichéaFax Clark, 2015
130 x 130cm
Flamboyante #1
Flamboyante #10
Vincent MichéaFlamboyante #10, 2013
11.5 x 14.5cm
Flamboyante #2
Flamboyante #3
Flamboyante #4
Flamboyante #5
Flamboyante #6
Flamboyante #7
Flamboyante #8
Vincent MichéaFlamboyante #8, 2013
11.5 x 14.5cm
Flamboyante #9
Vincent MichéaFlamboyante #9, 2013
11.5 x 14.5cm
François Lougah
Gypsy Queen
Vincent MichéaGypsy Queen, 2017
235 x 150cm
Gypsy Queen
Vincent MichéaGypsy Queen, 2017
232 x 148cm
Hôtel Ivoire #2
Hôtel Ivoire #3
Ife #1
Vincent MichéaIfe #1, 2014
186 x 130cm
Ife #2
Vincent MichéaIfe #2, 2014
186 x 130cm
Immeuble
Vincent MichéaImmeuble, 2015
100 x 100cm
Impudique
Vincent MichéaImpudique, 2008
130 x 130cm
L'ïle de Gorée
Le Bauhaus de Dakar
Le Building des eaux
Les danseurs
Madame 2 CV
Vincent MichéaMadame 2 CV, 2015
130 x 130cm
Miss Victor I
Miss Victor II
Miss Victor III
Modou Seck
N'goné, Or série
Nafissatou
Nina Simone
Vincent MichéaNina Simone, 2011
100 x 100cm
Number One
Vincent MichéaNumber One, 2014
130 x 130cm
N°05
Vincent MichéaN°05, 2019
150 x 100cm
N°222
Vincent MichéaN°222, 2011
100 x 100cm
On the Moon
Orange mécanique
Orchestre Conga
Ousman
Vincent MichéaOusman, 2015
40 x 30cm
Papaïto #1
Papaïto #2
Papaïto #3
Pascal
Vincent MichéaPascal, 2015
40 x 30cm
Rue de Thiong, Dakar
Saint Lousienne
Sans titre
Vincent MichéaSans titre, 2013
25.6 x 18.5cm
Sans titre #1
Sockhna #3
Sockhna #4
Sockhna, Or série
Tina Turner
Vincent MichéaTina Turner, 2012
100 x 100cm
Toi seulement #1
Toi seulement #2
Total Mascarade
Un grand ciel bleu #1
Un grand ciel bleu #2
Un grand ciel bleu #3
Un grand ciel bleu #4
Un grand ciel bleu #5
Un jardin
Vincent MichéaUn jardin, 2019
63 x 63cm
Untitled
Vincent MichéaUntitled, 2013
130 x 130cm
Untitled
Vincent MichéaUntitled, 2013
130 x 130cm
Untitled
Vincent MichéaUntitled, 2013
130 x 130cm
Untitled
Vincent MichéaUntitled, 2013
130 x 130cm
Untitled
Vincent MichéaUntitled, 2015
40 x 30cm
Untitled
Vincent MichéaUntitled, 2018
30 x 40cm
Untitled
Vincent MichéaUntitled, 2018
30 x 40cm
Untitled
Vincent MichéaUntitled, 2013
100 x 100cm
Untitled
Vincent MichéaUntitled, 2013
100 x 100cm
Untitled
Vincent MichéaUntitled, 2013
100 x 100cm
Untitled
Vincent MichéaUntitled, 2013
100 x 100cm
Untitled
Vincent MichéaUntitled, 2013
13 x 13cm
Untitled
Vincent MichéaUntitled, 2012
13 x 13cm
Untitled
Vincent MichéaUntitled, 2012
21 x 30cm
Untitled
Vincent MichéaUntitled, 2012
21 x 30cm
Untitled
Vincent MichéaUntitled, 2013
11.5 x 14.5cm
Untitled
Vincent MichéaUntitled, 2012
100 x 100cm
Untitled
Vincent MichéaUntitled, 2012
40 x 30cm
Untitled
Vincent MichéaUntitled, 2015
40 x 30cm
Untitled
Vincent MichéaUntitled, 2015
20 x 20cm
Untitled
Vincent MichéaUntitled, 2016
60 x 40cm
Untitled
Vincent MichéaUntitled, 2021
142 x 210cm
Untitled
Vincent MichéaUntitled, 2018
130 x 130cm
Untitled #1
Untitled #1
Vincent MichéaUntitled #1, 2013
130 x 130cm
Untitled #2
Untitled #2
Vincent MichéaUntitled #2, 2013
130 x 130cm
Untitled #3
Untitled #7
Untitled #8
Untitled #8
Untitled, Or série
Untitled, Or série
Work in progress #1
Work in progress #2
Work in progress #3
Work in progress #4
Work in progress #6
Work in progress #7
Work in progress #8
Xalis
Vincent MichéaXalis, 2014
130 x 130cm
Yandé Codou Sene
Zack, Or série
Zik
Vincent MichéaZik, 1987
40 x 30cm
Zone B
Vincent MichéaZone B, 2012
130 x 130cm
Gypsy Queen
Vincent MichéaGypsy Queen, 2017
235 x 150cm
Bimi Ombale
Vincent MichéaBimi Ombale, 2007
130 x 130cm
François Lougah
Le Bauhaus de Dakar
Work in progress #2
Fatou Yellow Shadow
Galerie Cécile Fakhoury
Gallery
Galerie Cécile Fakhoury
Abidjan, Paris, Dakar

Galerie Cecile Fakhoury opened its doors in Abidjan, Ivory Coast in September 2012. In May 2018, the gallery inaugurated its second space in Dakar, Senegal and a showroom in Paris, France. Shortly after, in March 2020, a new project space dedicated to emerging artists from Africa opened in Abidjan. In October 2021, Galerie Cecile Fakhoury inaugurated another gallery, opening in the 8th arrondissement of Paris on Avenue Matignon. The gallery promotes contemporary art from Africa and the Diaspora by providing visibility to the artistic diversity and creative spirit from the continent. Through its programming of solo and group exhibitions, participation in international art fairs, biennales, and collaboration with international galleries, Cecile Fakhoury is a leading force putting contemporary African art on the global map. The artists represented by the gallery are distinguished by their cultural identities and stories, they create a new language that crosses geographical boundaries and familiarities. They are observers of the world they live in, critics of society, and committed to their positions living within complex histories. In turn, they ask us to reconsider our own relation to the world. ...

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