Wu Jiaru

spillover_vi, 202430 x 20 x 4.3cm3500 USD

Details

MaterialGalleryLocation

oil on woodP21Seoul

Description

Human-crafted. AI-refined.

This abstract painting features a dynamic, energetic composition with vibrant splashes of color. The dominant hues are warm yellows and browns, punctuated by bold strokes of blue. The overall impression is one of movement and organic forms, conveying a sense of liveliness and spontaneity. The artist's bold, gestural brushwork and the absence of clear representational elements suggest an Expressionist or Abstract Expressionist approach, reflecting the artist's focus on capturing raw emotion and visceral energy rather than replicating reality. This work likely reflects the artist's intention to elicit an emotional response from the viewer through the power of abstract visual language. ...

Similar Artworks

Ma HaijiaoMr. Quan at Painting No.3, 20226000 CNY

Rosa AielloYours Faithfully (panic both in), 2022Price on Request

Shuo HaoLeda et le cygne, 20237000 EUR

Ma HaijiaoIf We Delete Green, If We Start to Care About Plants No.2, 20202400 GBP

Rafik Greiss, Ser SerpasBy the Highway 19, 20232500 EUR

Rosa AielloLatehomecomer (300 000 Food Workers Strike), 20242500 EUR

Kiki SmithSpiral Nebula (Large), 201785000 USD

Autumn RamseyFlutter, 2023Price on Request

Tant Zhong 钟云舒z. Deliberately Walk Faster, Faster Than Everyone Else. If Instability Leads to a Tilt, Straighten the Body., 2020Price on Request

Alessandra RisiCrudo, 20221400 USD

Li Hei DiFeverish letters, 202210500 GBP

Artist

Wu Jiaru

, Chinese

Wu Jiaru experiments with installation, ready-made, painting and generative digital images. Her works explore issues of identity, boundaries and the individualisation of history from the perspectives of mythology, literature and intimate relationships. More recently, the artist has been using automatic drawing as a practice of 'unlearning', engaging in a daily routine of repetitive actions and spontaneous drawing in an attempt to enter a state of automatisation involving both her body and her mind. This act of automatic drawing is also used as a form of counter-control to the technological control of our time, to reflect on the relationship between human subjectivity and the subjectivity of technological objects. ...