Joy in Paperwork 372
Joy in Paperwork 372

Amalia Pica

Joy in Paperwork 372, 201529.7 x 21cmSign in to view price
Details
MaterialGallery
ink on paper, framedHerald St
Description
Human-crafted. AI-refined.

Visual Elements: The artwork features a striking composition of overlapping and intersecting words and text, creating a visually captivating abstract pattern. The text appears to be in different shades of red, contrasting against the white background and adding a sense of depth and movement. Subject Matter: The text appears to be in German, with some recognizable words such as "Vertraulich" (confidential) and other technical or legal terminology. This suggests the piece may be exploring themes related to bureaucracy, language, and the dissemination of information. Artistic Style and Technique: The artwork employs a distinctive typographic and collage-like approach, using repetitive text and language as the primary medium. The overlapping and layered letters create a complex, almost labyrinthine visual effect. Context: This piece seems to be a contemporary artwork that comments on the use and manipulation of language, particularly in the context of bureaucratic or institutional systems. The artist's intention may be to challenge the viewer's perception of information and authority. ...

Similar Artworks
Polyethylene Feels
Dérives
Latifa EchakhchDérives, 2015
200 x 150cm
Screen Shot R.M
Latifa EchakhchScreen Shot R.M, 2015
173 x 300 x 2cm
The Dark Days
Latifa EchakhchThe Dark Days, 2024
206 x 156 x 3.5cm
Unfucking Titled (fuck)
WP340
WP336
Fainter (Mme X)
Nicole WermersFainter (Mme X), 2025
31 x 44 x 29cm
Tambour '57
Latifa EchakhchTambour '57, 2012
173 x 173 x 5cm
No. 1077
Rana BegumNo. 1077, 2021
108 x 95 x 5cm
Attachments #7
Nicole WermersAttachments #7, 2022
41.3 x 31.1 x 3.8cm
Drag-out
Nina CanellDrag-out, 2021
47 x 19 x 14cm
No. 1141 Zigzag
Rana BegumNo. 1141 Zigzag, 2022
248.5 x 82.5 x 35cm
Untitled (black clouds)
Silurian Slurs
The Dark Days
Latifa EchakhchThe Dark Days, 2024
206 x 156 x 3.5cm
Polyethylene Feels
Nina CanellPolyethylene Feels, 2019
49.1 x 36.2 x 1.8cm
WP322
Muscle Memory
No. 1158 Chainlink
Tsubui ku aphuku
Nicole WermersTsubui ku aphuku, 2025
36 x 32 x 37cm ⌀1000cm
WP320
Domestic Tail (White, Spotted Grey)
Untitled (Square Moon)
Klara LidenUntitled (Square Moon), 2024
254.5 x 353.5 x 12.5cm
Derives 18
Latifa EchakhchDerives 18, 2011
200 x 150cm
Amalia Pica
Artist
Amalia Pica
B.1978, Argentinian

Amalia Pica’s practice, which includes sculpture, performance, installation, drawing and video, explores human communication, its failures and intimacy. Human modes of interaction, such as the desire to be understood and accepted, are central to her work. Pica uses found objects, like hair brushes, wine bottles and confetti, verbal and non-verbal linguistic tools, like texts and venn diagrams, out-dated means of communication, like shutter telegraphs and slide projectors. Her live performances are audience-driven, creating situations of encounters, awkward and real. Having been born during the 'Dirty War' in Argentina, Pica’s works further consider the issue of state control, history, representation and systems of bureaucracy. In her performances, she explores the ways civic participation can become a mode of resistance to political oppression across time and cultures. ...

Amalia Pica: Artworks
Keepsake #6
Paperweight #1
Paperweight #2
Paperweight #3
Paperweight #4
Paperweight #5
Herald St
Gallery
Herald St
London, London

Herald St was established in 2005 by Ash L’ange and Nicky Verber. With two spaces across London, Herald St represents twenty-five international artists and participates in multiple art fairs including Art Basel, Frieze London, and Frieze Los Angeles amongst others. Works by Herald St artists are held in many museum collections and are regularly included in exhibitions within public institutions.