The artwork features an intricate cast iron sculpture depicting a whimsical, organic form. The deep green color and intricate, filigree-like patterns create a striking visual contrast against the plain white background. The sculptural piece appears to be a stylized interpretation of a watering can or other household object, with a curved handle and perforated body. The delicate, lace-like design suggests a blend of industrial and natural elements, evoking a sense of playfulness and imagination. The artist's intention seems to be exploring the intersection of functional and decorative, transforming a mundane object into a captivating work of contemporary art. ...
Amalia Pica’s practice, which includes sculpture, performance, installation, drawing and video, explores human communication, its failures and intimacy. Human modes of interaction, such as the desire to be understood and accepted, are central to her work. Pica uses found objects, like hair brushes, wine bottles and confetti, verbal and non-verbal linguistic tools, like texts and venn diagrams, out-dated means of communication, like shutter telegraphs and slide projectors. Her live performances are audience-driven, creating situations of encounters, awkward and real. Having been born during the 'Dirty War' in Argentina, Pica’s works further consider the issue of state control, history, representation and systems of bureaucracy. In her performances, she explores the ways civic participation can become a mode of resistance to political oppression across time and cultures. ...
Proyectos Ultravioleta was founded in Guatemala City in 2009 as an independent artist-run space, and has since established itself as a leading voice in contemporary art in Latin America and beyond.
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