Killed Negatives, After Walker Evans (Untitled), 201524.8 x 31.8cmSign in to view price
Details
MaterialGallery
two hand printed black and white, and colour photographsThe approach
Description
Human-crafted. AI-refined.
The top image is a black and white photograph depicting two individuals, likely men, standing on a city street. The composition is balanced, with the figures positioned in the center of the frame. The individuals are wearing hats and coats, suggesting an urban setting and a chilly environment. The overall tone is somber and reflective.
The bottom image is a simple, minimalist composition featuring a single, round object against a dark background. The object appears to be a sphere or orb, possibly a celestial body like a planet or moon. The image has a contemplative and abstract quality, inviting the viewer to ponder the significance of the solitary form.
Both artworks, though vastly different in subject matter and style, seem to share a sense of introspection and a desire to capture a moment of quiet contemplation. The contrast between the urban setting of the first image and the vast, cosmic expanse of the second suggests a juxtaposition between the human experience and the larger, natural world. ...
Lisa Oppenheim's work is heavily inspired by research, particularly in the history of photography. Oppenheim utilizes various research methods, such as exploring photographic archives, libraries, collections, and online resources as starting points for her layered and sometimes starkly abstract work. Through delving into documentary archives, investigating the neglected outtakes of renowned photographers that were removed from the historical record for various reasons, Oppenheim collects and resurrects them in her imagery. These obscure finds and missing links also have technical parallels in her work. Oppenheim's images often feature fragments and experiment with exposure, suggesting the nuances of what is visible and invisible, revealed and concealed by the camera's mechanics. Her multifaceted work encapsulates photography's most intricate function: the ability to remain entirely silent while appearing to describe the world in infinite detail. ...
The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...
