Cadeira Hipnótica

Ana Mazzei

Cadeira Hipnótica, 2021170 x 78 x 100cmSign in to view price
Details
MaterialGallery
peroba mica wood, cedar and garapeira, steel, wax patina and impregnating resinMartins&Montero
Description
Human-crafted. AI-refined.

This abstract sculptural work features a wooden, geometric composition with varying shapes and angles. The prominent use of warm, earthy tones of wood creates a harmonious visual balance. The artwork incorporates both vertical and diagonal elements, suggesting a dynamic and asymmetrical overall structure. The juxtaposition of the different wooden components, including the central easel-like structure and the independent columns, evokes a sense of functional ambiguity. This piece appears to explore themes of form, balance, and the interplay between stability and movement, reflecting the artist's experimental approach to sculptural design and minimalist aesthetics. ...

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Artist
Ana Mazzei
B.1979, Brazilian

To Ana Mazzei, art, architecture and landscapes construct, in themselves, a fiction that connects them, resulting in installations, settings and objects. Some of the works operate on a smaller scale, such as the series of installations arranged on the floor formed by groups of small shapes made of felt, concrete or wood similar to the architectural models of old cities, amphitheaters or monuments. Beyond the formalist exercises, these floor objects invoke unidentified stories that suggest hidden and impenetrable archetypal structures - they are like pieces and fragments of myths, lives and fictions that are represented in paintings, videos, sculptures and installations. ...

Ana Mazzei: Artworks
Germinal
Ana Mazzei
Germinal, 2021
54 x 55.5 x 9.5cm
Oh Vaso Grego Oh
Ana Mazzei
Oh Vaso Grego Oh, 2018
Run Rabbit Run
Speech about the sun
Ana Mazzei
Speech about the sun, 2015
Us and Them
_Antechamber
Garabandal
Estudos para Fantasmas/Caverna
Ana Mazzei
Estudos para Fantasmas/Caverna, 2017
144 x 147cm
Estudos para Fantasmas/Capivara
Ana Mazzei
Estudos para Fantasmas/Capivara, 2017
155 x 156cm
Estudos para Fantasmas/Vestido
Ana Mazzei
Estudos para Fantasmas/Vestido, 2017
135 x 142cm
Ghosts
Ana Mazzei
Ghosts, 2017
176 x 283 x 124cm
Bode
Ana Mazzei
Bode, 2019
100 x 48 x 51cm
Pezinho
Ana Mazzei
Pezinho, 2020
53.5 x 21 x 17cm
Templo - Face Norte
Ana Mazzei
Templo - Face Norte, 2020
222 x 320 x 10cm
Alegory
Ana Mazzei
Alegory, 2021
143 x 133cm
Cenário Bandeira
Ana Mazzei
Cenário Bandeira, 2021
40 x 35.5 x 6.5cm
Cadeira Mística
Ana Mazzei
Cadeira Mística, 2021
169 x 31 x 80cm
Cadeira Hipnótica
Ana Mazzei
Cadeira Hipnótica, 2021
170 x 78 x 100cm
Picadeiro I
Ana Mazzei
Picadeiro I, 2021
174 x 112 x 88cm
Cenário Xadrez
Ana Mazzei
Cenário Xadrez, 2021
28 x 40.5 x 12cm
Cenário Parade
Ana Mazzei
Cenário Parade, 2021
47 x 45 x 7cm
Marionete Solitária
Ana Mazzei
Marionete Solitária, 2023
171 x 62 x 22cm
shirt
Ana Mazzei
shirt, 2021
149 x 60 x 14cm
Concha
Ana Mazzei
Concha, 2023
94 x 70 x 70cm
Cavalo
Ana Mazzei
Cavalo, 2023
19 x 18 x 4.5cm
Marionete Amarela
Ana Mazzei
Marionete Amarela, 2023
175 x 58 x 23cm
Marionete Cactus
Ana Mazzei
Marionete Cactus, 2023
123 x 88 x 23cm
Martins&Montero
Gallery
Martins&Montero
Brussels, São Paulo

Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...

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