The image depicts a minimalist sculpture composed of geometric shapes in various shades of yellow and cream. The overall composition features a balanced arrangement of abstract forms, including a circular element, angular pieces, and a boat-like shape. The visual elements create a sense of symmetry and simplicity, reflecting a reductionist approach to the artwork. The subject matter appears to be an abstract human figure, with the shapes representing the various parts of the body. The sculptural technique suggests a focus on form and materiality, using basic shapes and muted tones to convey a contemplative, meditative mood. This piece likely reflects the artist's interest in exploring themes of balance, harmony, and the human form through a minimalist aesthetic. ...
To Ana Mazzei, art, architecture and landscapes construct, in themselves, a fiction that connects them, resulting in installations, settings and objects. Some of the works operate on a smaller scale, such as the series of installations arranged on the floor formed by groups of small shapes made of felt, concrete or wood similar to the architectural models of old cities, amphitheaters or monuments. Beyond the formalist exercises, these floor objects invoke unidentified stories that suggest hidden and impenetrable archetypal structures - they are like pieces and fragments of myths, lives and fictions that are represented in paintings, videos, sculptures and installations. ...
Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...
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