shirt

Ana Mazzei

shirt, 2021149 x 60 x 14cmPrice on Request
Details
MaterialGalleryLocation
resin, linen fabric, acrylic paint and wax patina and fabric on peroba mica wood and garapeiraMartins&MonteroBrussels
Description
Human-crafted. AI-refined.

The artwork depicts the text "DOCENT" in large, bold letters against a plain white background. The minimalist composition and use of a single typographic element create a striking visual impact. The clean, geometric sans-serif font and uniform gray tone convey a sense of simplicity and neutrality. This piece likely explores concepts of language, education, and the role of the docent or guide in the art world. The artist's intention may be to challenge traditional modes of art interpretation and presentation through a conceptual, text-based work. ...

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Marionete Amarela
Artist
Ana Mazzei
1979 , Brazilian

To Ana Mazzei, art, architecture and landscapes construct, in themselves, a fiction that connects them, resulting in installations, settings and objects. Some of the works operate on a smaller scale, such as the series of installations arranged on the floor formed by groups of small shapes made of felt, concrete or wood similar to the architectural models of old cities, amphitheaters or monuments. Beyond the formalist exercises, these floor objects invoke unidentified stories that suggest hidden and impenetrable archetypal structures - they are like pieces and fragments of myths, lives and fictions that are represented in paintings, videos, sculptures and installations. ...

Ana Mazzei: Artworks
Germinal
Ana MazzeiGerminal, 2021Price on Request
Garden
Ana MazzeiGarden, 2017Price on Request
Oh Vaso Grego Oh
Ana MazzeiOh Vaso Grego Oh, 2018Price on Request
Run Rabbit Run
Ana MazzeiRun Rabbit Run, 2018Price on Request
Speech about the sun
Ana MazzeiSpeech about the sun, 2015Price on Request
Us and Them
Ana MazzeiUs and Them, 2018Price on Request
_Antechamber
Ana Mazzei_Antechamber, 2018Price on Request
Garabandal
Ana MazzeiGarabandal, 2016Price on Request
Estudos para Fantasmas/Caverna
Ana MazzeiEstudos para Fantasmas/Caverna, 2017Price on Request
Estudos para Fantasmas/Capivara
Ana MazzeiEstudos para Fantasmas/Capivara, 2017Price on Request
Estudos para Fantasmas/Vestido
Ana MazzeiEstudos para Fantasmas/Vestido, 2017Price on Request
Ghosts
Ana MazzeiGhosts, 2017Price on Request
Bode
Ana MazzeiBode, 2019Price on Request
Pezinho
Ana MazzeiPezinho, 2020Price on Request
Templo - Face Norte
Ana MazzeiTemplo - Face Norte, 2020Price on Request
Alegory
Ana MazzeiAlegory, 2021Price on Request
Cenário Bandeira
Ana MazzeiCenário Bandeira, 2021Price on Request
Cadeira Mística
Ana MazzeiCadeira Mística, 2021Price on Request
Cadeira Hipnótica
Ana MazzeiCadeira Hipnótica, 2021Price on Request
Picadeiro I
Ana MazzeiPicadeiro I, 2021Price on Request
Cenário Xadrez
Ana MazzeiCenário Xadrez, 20217500 EUR
Cenário Parade
Ana MazzeiCenário Parade, 20219000 EUR
Marionete Solitária
Ana MazzeiMarionete Solitária, 2023Price on Request
shirt
Ana Mazzeishirt, 2021Price on Request
Concha
Ana MazzeiConcha, 2023Price on Request
Cavalo
Ana MazzeiCavalo, 2023Price on Request
Marionete Amarela
Ana MazzeiMarionete Amarela, 2023Price on Request
Marionete Cactus
Ana MazzeiMarionete Cactus, 2023Price on Request
Martins&Montero
Gallery
Martins&Montero
Brussels, São Paulo

Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...