Absolute Redundancy

Anthony D Green

Absolute Redundancy, 2023141.1 x 100 x 3cmSign in to view price
Details
MaterialGallery
peinture acrylique et encre sur toileGalerie Art : Concept
Description
Human-crafted. AI-refined.

The artwork features a bold, vibrant color palette dominated by shades of red and orange. The composition is divided into three panels, each showcasing distinct visual elements. The top panels display abstract, wave-like patterns that create a sense of movement and energy. The lower panel presents a pair of black orbs and a subtle feather motif, suggesting a symbolic or surreal narrative. The overall style blends abstract expressionism with surrealist techniques, inviting the viewer to ponder the deeper meaning behind the artwork. While the specific context or the artist's intention is not explicitly stated, the piece appears to explore themes of duality, natural forces, and the subconscious. ...

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Absolute Redundancy

Between painting and bas-relief, the recent works of Anthony D. Green demonstrate the artist's fascination with images, their central place in consumer society and their potential for transformation. Diverting the codes of advertising photography and computer graphics, he imposes a distance with the subjects, here from commercial image banks. Made from MDF, spray paint, acrylic paint, printed paper and assembled, they play with volumes and points of view, and disrupt the eye with formal games (shifting, repetition, etc.). The ear, in relief on one of the volumes, then appears as a way out of the influence exerted by the visual regime. Natural bas-reliefs, they are the mediators between the non-visible exterior and an invisible interior, signifying access to something beyond the visible. ...

Anthony D Green: Artworks
Absolute Redundancy
Anthony D GreenAbsolute Redundancy, 2023
141.1 x 100 x 3cm
Galerie Art : Concept

To avoid any narcissism the gallery will not bear a name, but instead mark of the end of a century during which the Fine Arts are exhausted of unknown practices and forms, Art: Concept was born. In 1997, the gallery joined its friends in the 13th district of Paris to be part of the adventure of the brand new rue Louise Weiss. Despite unforgettable years in this district, the move to the Marais was inevitable. Today, the gallery is located in a private passage (passage Sainte Avoye) and represents artists with whom it has been working for 25 years as well as young graduates. Trying to reflect the evolution of society, the gallery emphasises its proposals in a multi-faceted reflection on individuality and collectivity in a wide range of contexts. Like Janus, it looks both to the past and the future. Today's world is so in need of reference points that it's reassuring to invent a future, thanks to artists, as well as to compare it to the past. We invite you to ask for it, we will be at the gallery, very happy to explain it to you. ...

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