prints on aluminium, print on fleece fabric, phone holder, replica/fake phone, print on self-adhesive paperCiaccia Levi
Description
Human-crafted. AI-refined.
The artwork features a vibrant, red curtain that dominates the composition, creating a striking visual contrast against the muted tones of the surrounding elements. The curtain's textured surface and dramatic folds suggest a sense of theatricality and mystery. Embedded within the scene are various recognizable objects, including a billboard-like sign, a framed artwork, and the partial figure of a person, hinting at a narrative or symbolic significance. The composition's eclectic mix of elements and the use of bold colors and patterns reflect a contemporary, collage-like artistic style. This work likely explores themes of public versus private spaces, the interplay between art and commerce, and the artist's intention to challenge traditional modes of artistic representation. ...
In a research where painting, sculpture, popular culture, fashion and technology intersect, becoming a fertile
ground for cultural intertwining and linguistic exchange, Chalisée Naamani’s works are the result of a
process that combines photographic prints with polymateric assemblages in soft, irregular shapes, which in
space draw gateways to rebuses and emotional tangles.
The Iranian-origin French artist meditates on the political, cultural and evocative power of fashion, on its
ability to pay «homage to history, and to the stories of the women and men who wear it», to quote the words
of philosopher Marie-Aude Baronian. In fact, as Naamani explains, «I do not choose clothes for aesthetic
reasons alone. I try to tell stories through shapes, colours and suitable accessories. I obsessively archive
images taken from everyday life, screenshots and scans that I then combine to create new ones».
Between the folds of sculptures that have lost their geometric rationality, centred or collapsed in on
themselves, peep familiar images from the artist's personal archive, Middle Eastern iconography, trap
quotations, screensaver panoramas and digital collages. Everything overlaps and interlocks, as in an eternal
scrolling, giving shape to a serial imagery populated by bold baroque outcomes and a continuous practice of
construction and deconstruction. Stratifications of materials and experiences —virtual and real, spiritual and
physical— inextricably intertwine. ...
Ciaccia Levi, Paris–Milan is a contemporary art gallery founded in 2013 by Nerina Ciaccia and Antoine Levi in the Belleville district of Paris. In 2020, the gallery relocated to a new space in the Marais–Arts & Métiers area, and in 2022, expanded internationally with the opening of a second venue in Milan.
From the outset, Ciaccia Levi has been committed to building a multilayered platform for visual culture, presenting the work of both emerging and established artists from around the world. The gallery focuses on thoughtful, concept-driven practices across a range of media, with a curatorial approach that values experimentation, dialogue, and long-term collaboration.
Ciaccia Levi is also a co-founder of Paris Internationale, an independent art fair that champions forward-thinking galleries and artists. Through its dual presence in Paris and Milan, the gallery continues to foster cross-cultural exchange and support ambitious contemporary art practices within and beyond traditional exhibition formats. ...
