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This contemporary art piece features a striking visual composition comprising various found objects and materials. The artwork has a vibrant color palette that includes deep reds, greens, and pops of yellow, creating a bold and dynamic aesthetic. The main elements appear to be repurposed bags or pouches, which are arranged vertically and connected by a bright yellow cord, adding a sense of movement and tension to the piece. The subject matter suggests a commentary on consumerism and material culture, with the repurposed bags hinting at themes of waste and excess. The artist's distinctive style employs a collage-like technique, blending diverse textures and patterns to create a visually striking and thought-provoking work. Contextually, this artwork likely reflects the artist's intention to engage the viewer in a dialogue about contemporary societal issues, using found materials and a unique sculptural approach to convey their message. ...
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In a research where painting, sculpture, popular culture, fashion and technology intersect, becoming a fertile ground for cultural intertwining and linguistic exchange, Chalisée Naamani’s works are the result of a process that combines photographic prints with polymateric assemblages in soft, irregular shapes, which in space draw gateways to rebuses and emotional tangles. The Iranian-origin French artist meditates on the political, cultural and evocative power of fashion, on its ability to pay «homage to history, and to the stories of the women and men who wear it», to quote the words of philosopher Marie-Aude Baronian. In fact, as Naamani explains, «I do not choose clothes for aesthetic reasons alone. I try to tell stories through shapes, colours and suitable accessories. I obsessively archive images taken from everyday life, screenshots and scans that I then combine to create new ones». Between the folds of sculptures that have lost their geometric rationality, centred or collapsed in on themselves, peep familiar images from the artist's personal archive, Middle Eastern iconography, trap quotations, screensaver panoramas and digital collages. Everything overlaps and interlocks, as in an eternal scrolling, giving shape to a serial imagery populated by bold baroque outcomes and a continuous practice of construction and deconstruction. Stratifications of materials and experiences —virtual and real, spiritual and physical— inextricably intertwine. ...
Ciaccia Levi, Paris–Milan is a contemporary art gallery founded in 2013 by Nerina Ciaccia and Antoine Levi in the Belleville district of Paris. In 2020, the gallery relocated to a new space in the Marais–Arts & Métiers area, and in 2022, expanded internationally with the opening of a second venue in Milan. From the outset, Ciaccia Levi has been committed to building a multilayered platform for visual culture, presenting the work of both emerging and established artists from around the world. The gallery focuses on thoughtful, concept-driven practices across a range of media, with a curatorial approach that values experimentation, dialogue, and long-term collaboration. Ciaccia Levi is also a co-founder of Paris Internationale, an independent art fair that champions forward-thinking galleries and artists. Through its dual presence in Paris and Milan, the gallery continues to foster cross-cultural exchange and support ambitious contemporary art practices within and beyond traditional exhibition formats. ...