Pasolini, Fassbinder, Ferre

Lola Gonzàlez

Pasolini, Fassbinder, Ferre, 201329.7 x 42cmSign in to view price
Details
MaterialGallery
tirage gélatino-argentique monté sous passe-partoutMarcelle Alix
Description
Human-crafted. AI-refined.

This black-and-white photograph depicts two people standing in a natural setting with trees and foliage in the background. The composition is balanced, with the two figures positioned centrally. The lighting and contrast create a sense of depth and atmosphere. The subjects appear to be engaging in some kind of interaction or activity, though the specific context is not entirely clear. The overall tone and style suggest a documentary or artistic approach, capturing a moment in time with a sense of contemplation or introspection. Without being able to identify the individuals, the image presents a scene that invites the viewer to imagine the story behind it. ...

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Lola Gonzàlez
Artist
Lola Gonzàlez
B.1988, French

Each film Lola Gonzàlez produces, makes the next one up. The complete set portrays an obsession, as dreams that'd never cease to return night after night, affecting day-time as well. The apparent lightness emerging from her first "buddy movies" has disappeared in favor of a desire that's more open to the world. Not unlike magical rituals, Lola Gonzàlez's films open on those young people facing outward, toward the landscape. Are they able to see a sign out there, they'll all read into in the same fashion? Each time, a deeply moving synchronicity sets in, creating a situation where communication channels through the bodies that brush by or voluntarily touch one another. ...

Lola Gonzàlez: Artworks
Anouk & Lola
Appelle-moi
Debord, Ferre, Weil
Lola Gonzàlez
Debord, Ferre, Weil, 2013
29.7 x 42cm
Frida, Coluche
Lola Gonzàlez
Frida, Coluche, 2013
29.7 x 42cm
Le langage et l'amitié, essai n°1
Lola Gonzàlez
Le langage et l'amitié, essai n°1, 2018
Pasolini, Fassbinder, Ferre
Lola Gonzàlez
Pasolini, Fassbinder, Ferre, 2013
29.7 x 42cm
Pasolini, Fassbinder, Filliou
Lola Gonzàlez
Pasolini, Fassbinder, Filliou, 2013
29.7 x 42cm
Pierre Goldman
Lola Gonzàlez
Pierre Goldman, 2013
29.7 x 42cm
Rappelle-toi de la couleur des fraises / Remember The Colour of Strawberries
Lola Gonzàlez
Rappelle-toi de la couleur des fraises / Remember The Colour of Strawberries, 2017
Telma & Anouk
Veridis Quo
Winter is coming
Marcelle Alix
Gallery
Marcelle Alix
Paris

We founded Marcelle Alix in 2009 in Paris and settled in a characteristic, early 20th-century boutique in Belleville. The gallery is for us a creative space, where the dialog with artists is not only meant to selling artworks, but is also based on an equal relationship to creativity. We now represents thirteen artists and two duos. Our identity has been built with the support of the artists who opened our programme (Aurélien Froment, Louise Hervé & Clovis Maillet, Charlotte Moth, Ernesto Sartori, Marie Voignier) and those we introduced to the French art scene (Pauline Boudry/Renate Lorenz, Ian Kiaer, Donna Gottschalk). During these years, we have supported broad artistic careers (Laura Lamiel, Liz Magor and Mira Schor whose work we represent exclusively in Europe) and accompanied the development of new perspectives in sculpture (Gyan Panchal, Jean-Charles de Quillacq) in video (Lola Gonzàlez), and in drawing (Armineh Negahdari). Our gallery has been a pioneer in defining a space for queer art in France : in addition to showing her work within the artist duo Boudry/Lorenz since 2011, we have directed the translation into French of Renate Lorenz's 2012 seminal book, « Queer Art » in 2018. Since 2019, we have exhibited photographs by Donna Gottschalk documenting the lives of women living with women who were involved in the lesbian movement in the United States in the 1970s. In 2023 we organised an exhibition for the Utopi.e award—first award in France for Lgbtqi+ art—for which we have invited Paris galleries Air de Paris and Sultana as fellow participants. We insist on the central role of a gallery in the ecosystem of art as a place to make idiosyncratic positions visible and weave a critical narrative around the most contemporary visual forms. ...

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