Boogie I

Evren Tekinoktay

Boogie I, 202060 x 60 x 17.1cmSign in to view price
Details
MaterialGallery
neon, acrylic on plexiglassThe approach
Description
Human-crafted. AI-refined.

The visually striking contemporary artwork depicts a circular clock face with an abstract, playful design. The colors used - pastel shades of pink, yellow, blue, and green - create a vibrant, whimsical composition. The prominent feature is a stylized, intertwining line motif that winds across the face, adding a dynamic, almost organic quality to the piece. The subject matter appears to symbolize the fluid nature of time, with the clock's hands hinting at the continuous and unpredictable passage of time. The artist's distinctive style and use of bold, expressive shapes and lines suggest a modern, imaginative approach to the traditional clock form. This work likely aims to challenge the viewer's perception of time and encourage a more abstract, artistic perspective on the concept. ...

Similar Artworks
White Man's Bible (Revenge Porn)
Sophia Al Maria
White Man's Bible (Revenge Porn), 2018
38.1 x 21.9 x 29.8cm
Untitled Vestment #1 (HAVE NOT)
Amanda Ross-Ho
Untitled Vestment #1 (HAVE NOT), 2016
203 x 122cm
Untitled (2 small layered gall outlines)
Lecia Dole-Recio
Untitled (2 small layered gall outlines), 2020
52.07 x 36.2cm
LOL (Loud Outrageous Laughter)
Jen Smith
LOL (Loud Outrageous Laughter), 2014
223.52 x 223.52cm
Sunset Complexion
Sophia Al Maria
Sunset Complexion, 2017
24 x 42cm
Untitled (floor paper, medium, all gall)
Lecia Dole-Recio
Untitled (floor paper, medium, all gall), 2020
173.99 x 146.05cm
DEAD BLADES
Amanda Ross-Ho
DEAD BLADES, 2014
40.6 x 10.2cm
Untitled Croquis (Restless unsettled Cries inconsolably)
Amanda Ross-Ho
Untitled Croquis (Restless unsettled Cries inconsolably), 2018
38 x 28cm
Cometa I
Bruna Canepa
Cometa I, 2019
36.5 x 53.5cm
Untitled (floor paper, 2 pinks, 4 purples)
Lecia Dole-Recio
Untitled (floor paper, 2 pinks, 4 purples), 2020
167.64 x 96.52cm
Here, Always Elsewhere
Jen Smith
Here, Always Elsewhere, 2010
55.88 x 38.1cm
Untitled (crdbrd.mgnt.ppr.)
Lecia Dole-Recio
Untitled (crdbrd.mgnt.ppr.), 2010
82.55 x 64.77cm
WE MAKE THE RULES
Jen Smith
WE MAKE THE RULES, 2010
61 x 549cm
Mirror Cookie
Modern Romance
Bruna Canepa
Modern Romance, 2020
62 x 88cm
Do you have any film posters of ... BLACK MOVIES? He understands
Martine Syms
Do you have any film posters of ... BLACK MOVIES? He understands, 2021
84.46 x 62.87 x 3.81cm
Untitled Crisis Actor (WORST PAIN IMAGINABLE)
Amanda Ross-Ho
Untitled Crisis Actor (WORST PAIN IMAGINABLE), 2018
142 x 140cm
Runway
Tai Shani
Runway, 2021
73 x 77 x 12cm
Untitled T-Shirt (WORLD MAP #2)
Amanda Ross-Ho
Untitled T-Shirt (WORLD MAP #2), 2015
191 x 130cm
Untitled (floor paper, outlines, curves, edges)
Lecia Dole-Recio
Untitled (floor paper, outlines, curves, edges), 2020
227.33 x 189.23cm
Geometry does not dream of labor
Ad Minoliti
Geometry does not dream of labor, 2023
145 x 185cm
Early Spring Flower-Paws Stretching Soul Sheet – Mesmerizing Mesh #206
Haegue Yang
Early Spring Flower-Paws Stretching Soul Sheet – Mesmerizing Mesh #206, 2023
92 x 62 x 3.5cm
Muva Gaia
Martine Syms
Muva Gaia, 2021
84.14 x 62.87 x 3.81cm
Cometa III
Bruna Canepa
Cometa III, 2019
36.5 x 53.5cm
Beast Mode 1
Sophia Al Maria
Beast Mode 1, 2020
47 x 36.5 x 3.7cm
The Language of Flowers False Message (Iris) I
Lisa Oppenheim
The Language of Flowers False Message (Iris) I, 2013
35.6 x 27.9cm
Evren Tekinoktay
Artist
Evren Tekinoktay
B.1972, Turkish/Danish

In an effort to pull apart the currency of the female form in contemporary society, Danish artist Evren Tekinoktay builds mixed media collages. Layering found imagery with abstracted forms and visual tropes from advertising, Tekinoktay lays bare the constructs of desire and its deliberate manufacturing by the media. Building on the legacy of collage artists such as Hannah Höch, Eileen Agar, Dora Maar and Nancy Spero, the works are comical and striking, yet a knowing feminist undertone runs throughout these pieces. Even in her collages void of the female figure, abstracted, cartoonish forms signify coded messages and the candy-sweet, pastel palettes speak volumes. Outside of collage, Tekinoktay also works with neon, moving image and kinetic sculptures. Echoing the folksy, craft aesthetic of her collages, these other formats weave together low-tech footage and everyday materials, disarmingly navigating hard-hitting topics in familiar, nostalgic and domestic contexts. ...

Evren Tekinoktay: Artworks
DARK NIGHT WITH MOON
Evren Tekinoktay
DARK NIGHT WITH MOON, 2018
23.4 x 12cm
KITTY
HARLOWE
PAROLE
Evren Tekinoktay
PAROLE, 2015
172 x 60 x 16cm
TWIZ
Evren Tekinoktay
TWIZ, 2015
172 x 60 x 16cm
NIKKI
Evren Tekinoktay
NIKKI, 2015
90 x 90 x 16cm
THE POEM
Evren Tekinoktay
THE POEM, 2014
27.7 x 20.6cm
FOUR WALLS
Evren Tekinoktay
FOUR WALLS, 2014
12.7 x 19.5cm
BISQUIT
SLAPSTICK
Evren Tekinoktay
SLAPSTICK, 2014
26.5 x 27.8cm
Botanique
Evren Tekinoktay
Botanique, 2012
152 x 161cm
The Fighters
Evren Tekinoktay
The Fighters, 2008
45.8 x 30.6cm
Boogie I
Evren Tekinoktay
Boogie I, 2020
60 x 60 x 17.1cm
The Big Sleep
Evren Tekinoktay
The Big Sleep, 2019
140 x 100cm
Jazz
The Star
Evren Tekinoktay
The Star, 2021
64.1 x 67.9cm
Blåregn
Evren Tekinoktay
Blåregn, 2021
155.9 x 114cm
Swoopy
Evren Tekinoktay
Swoopy, 2021
155.9 x 114cm
Pulp II
Evren Tekinoktay
Pulp II, 2023
60 x 60 x 17cm
Floss
Evren Tekinoktay
Floss, 2023
103 x 103 x 4.7cm
MAKE ME RAINBOWS
Evren Tekinoktay
MAKE ME RAINBOWS, 2020
49.4 x 61.5 x 17.5cm
MISTY
Evren Tekinoktay
MISTY, 2020
49.4 x 61.5 x 17.5cm
The Village
Evren Tekinoktay
The Village, 2016
117 x 117 x 4cm
THE REEL
Evren Tekinoktay
THE REEL, 2018
23.4 x 12cm
UUU
The Parade
Evren Tekinoktay
The Parade, 2008
45.7 x 29cm
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

Unlock Price & Inquiry Access