UUU
Details
MaterialGallery
acrylic, glitter, aluminium, spray, paper on woodThe approach
Description
Human-crafted. AI-refined.

The artwork features a vibrant collage of geometric shapes and abstract patterns in a variety of colors, including black, white, pink, and green. The composition is a dynamic interplay of overlapping forms, creating a sense of depth and movement. The artist has employed a mix of techniques, such as drawing, painting, and possibly collage, to produce this visually captivating and playful work. The piece appears to be a contemporary abstract composition that explores the interplay of color, shape, and texture, inviting the viewer to engage with the artwork's visual complexity and whimsical nature. ...

Similar Artworks
Mirror Cookie
Untitled (cat)
Ad Minoliti
Untitled (cat), 2021
170 x 50 x 40cm
Cometa I
Bruna Canepa
Cometa I, 2019
36.5 x 53.5cm
WARM WINE (PINOT NOIR)
Amanda Ross-Ho
WARM WINE (PINOT NOIR), 2014
106.7 x 50.8cm
Sonnenblumen,  (Version III)
Lisa Oppenheim
Sonnenblumen, (Version III), 1919
60.3 x 50.5cm
LOL (Lovers Often Languish)
Jen Smith
LOL (Lovers Often Languish), 2014
238.76 x 238.76cm
Untitled Croquis (Restless unsettled Cries inconsolably)
Amanda Ross-Ho
Untitled Croquis (Restless unsettled Cries inconsolably), 2018
38 x 28cm
Fairly correct standing position of 4665. Lewis W. Hine. See 4668. Location: Boston, Massachusetts
Lisa Oppenheim
Fairly correct standing position of 4665. Lewis W. Hine. See 4668. Location: Boston, Massachusetts, 2017
135.5 x 78.2cm
LOL (Lovely Opulent Life)
Jen Smith
LOL (Lovely Opulent Life), 2014
223.52 x 223.52cm
CASE STUDY HOUSES 21
Ad Minoliti
CASE STUDY HOUSES 21, 2015
140 x 100cm
White Man's Bible (Revenge Porn)
Sophia Al Maria
White Man's Bible (Revenge Porn), 2018
38.1 x 21.9 x 29.8cm
Cometa III
Bruna Canepa
Cometa III, 2019
36.5 x 53.5cm
Leisure Work III (Version III) (Bottom)
Lisa Oppenheim
Leisure Work III (Version III) (Bottom), 2013
106.5 x 86.5cm
Sculptures and Signs
Bruna Canepa
Sculptures and Signs, 2020
47.5 x 32.5cm
Untitled T-Shirt (WORLD MAP #2)
Amanda Ross-Ho
Untitled T-Shirt (WORLD MAP #2), 2015
191 x 130cm
Nightlife
Ad Minoliti
Nightlife, 2017
40.6 x 50.8cm
& Oranges
Sophia Al Maria
& Oranges, 2021
47.5 x 32.5 x 3.5cm
Untitled (Black wood edge, wood stained section, pink paper drop shadow)
Lecia Dole-Recio
Untitled (Black wood edge, wood stained section, pink paper drop shadow), 2020
78.74 x 56.52 x 4.44cm
LOL (Loud Outrageous Laughter)
Jen Smith
LOL (Loud Outrageous Laughter), 2014
223.52 x 223.52cm
Untitled (crdbrd.mgnt.ppr.)
Lecia Dole-Recio
Untitled (crdbrd.mgnt.ppr.), 2010
82.55 x 64.77cm
CASE STUDY HOUSES 9
Ad Minoliti
CASE STUDY HOUSES 9, 2015
140 x 100cm
WE MAKE THE RULES
Jen Smith
WE MAKE THE RULES, 2010
61 x 549cm
Cinecosmos Back Façade
Bruna Canepa
Cinecosmos Back Façade, 2020
62 x 88cm
Pendant  (Version IX)
Lisa Oppenheim
Pendant (Version IX), 1943
55.8 x 45.8 x 3.9cm
Sunset Complexion
Sophia Al Maria
Sunset Complexion, 2017
24 x 42cm
Untitled (floor paper, 2 pinks, 4 purples)
Lecia Dole-Recio
Untitled (floor paper, 2 pinks, 4 purples), 2020
167.64 x 96.52cm
Nightlife
Ad Minoliti
Nightlife, 2017
40.6 x 50.8cm
Nature Morte  (Version V)
Lisa Oppenheim
Nature Morte (Version V), 1943
60 x 50cm
Modern Romance
Bruna Canepa
Modern Romance, 2020
62 x 88cm
Runway
Tai Shani
Runway, 2021
73 x 77 x 12cm
Untitled Croquis (WORST PAIN IMAGINABLE)
Amanda Ross-Ho
Untitled Croquis (WORST PAIN IMAGINABLE), 2018
38 x 28cm
Early Spring Flower-Paws Stretching Soul Sheet – Mesmerizing Mesh #206
Haegue Yang
Early Spring Flower-Paws Stretching Soul Sheet – Mesmerizing Mesh #206, 2023
92 x 62 x 3.5cm
Muva Gaia
Martine Syms
Muva Gaia, 2021
84.14 x 62.87 x 3.81cm
Evren Tekinoktay
Artist
Evren Tekinoktay
B.1972, Turkish/Danish

In an effort to pull apart the currency of the female form in contemporary society, Danish artist Evren Tekinoktay builds mixed media collages. Layering found imagery with abstracted forms and visual tropes from advertising, Tekinoktay lays bare the constructs of desire and its deliberate manufacturing by the media. Building on the legacy of collage artists such as Hannah Höch, Eileen Agar, Dora Maar and Nancy Spero, the works are comical and striking, yet a knowing feminist undertone runs throughout these pieces. Even in her collages void of the female figure, abstracted, cartoonish forms signify coded messages and the candy-sweet, pastel palettes speak volumes. Outside of collage, Tekinoktay also works with neon, moving image and kinetic sculptures. Echoing the folksy, craft aesthetic of her collages, these other formats weave together low-tech footage and everyday materials, disarmingly navigating hard-hitting topics in familiar, nostalgic and domestic contexts. ...

Evren Tekinoktay: Artworks
DARK NIGHT WITH MOON
Evren Tekinoktay
DARK NIGHT WITH MOON, 2018
23.4 x 12cm
KITTY
HARLOWE
PAROLE
Evren Tekinoktay
PAROLE, 2015
172 x 60 x 16cm
TWIZ
Evren Tekinoktay
TWIZ, 2015
172 x 60 x 16cm
NIKKI
Evren Tekinoktay
NIKKI, 2015
90 x 90 x 16cm
THE POEM
Evren Tekinoktay
THE POEM, 2014
27.7 x 20.6cm
FOUR WALLS
Evren Tekinoktay
FOUR WALLS, 2014
12.7 x 19.5cm
BISQUIT
SLAPSTICK
Evren Tekinoktay
SLAPSTICK, 2014
26.5 x 27.8cm
Botanique
Evren Tekinoktay
Botanique, 2012
152 x 161cm
The Fighters
Evren Tekinoktay
The Fighters, 2008
45.8 x 30.6cm
Boogie I
Evren Tekinoktay
Boogie I, 2020
60 x 60 x 17.1cm
The Big Sleep
Evren Tekinoktay
The Big Sleep, 2019
140 x 100cm
Jazz
The Star
Evren Tekinoktay
The Star, 2021
64.1 x 67.9cm
Blåregn
Evren Tekinoktay
Blåregn, 2021
155.9 x 114cm
Swoopy
Evren Tekinoktay
Swoopy, 2021
155.9 x 114cm
Pulp II
Evren Tekinoktay
Pulp II, 2023
60 x 60 x 17cm
Floss
Evren Tekinoktay
Floss, 2023
103 x 103 x 4.7cm
MAKE ME RAINBOWS
Evren Tekinoktay
MAKE ME RAINBOWS, 2020
49.4 x 61.5 x 17.5cm
MISTY
Evren Tekinoktay
MISTY, 2020
49.4 x 61.5 x 17.5cm
The Village
Evren Tekinoktay
The Village, 2016
117 x 117 x 4cm
THE REEL
Evren Tekinoktay
THE REEL, 2018
23.4 x 12cm
UUU
The Parade
Evren Tekinoktay
The Parade, 2008
45.7 x 29cm
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

Unlock Price & Inquiry Access