Bag O'Weed

Jacqueline Kiyomi Gork

Bag O'Weed, 1990117 x 129.5 x 17.8cmSign in to view price
Details
MaterialGallery
quilted carseat vinyl, car speaker, looped subfrequencies from 1990's long beach hiphopFrançois Ghebaly
Description
Human-crafted. AI-refined.

The artwork features a large, black, geometric sculpture mounted on the wall. The central design is a complex, intricate pattern of triangular shapes arranged in a radial, star-like formation. The overall composition is striking and visually captivating, with a strong emphasis on symmetry and repetitive forms. The use of a matte black material gives the piece a sleek, minimalist appearance, highlighting the精細 craftsmanship and attention to detail. The artist's intention may be to explore themes of spirituality, symbolism, or the interplay between light and shadow through this modern, abstract interpretation of a traditional design motif. ...

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Jacqueline Kiyomi Gork
Artist
Jacqueline Kiyomi Gork
B.1982, American

Jacqueline Kiyomi Gork's hybrid practice combines work in sound installation, sculpture, and performance with the aim of reconfiguring the traditional hierarchies between audience, performer, and architecture. Her sculptural and sonic systems often reference complex sonic histories embedded into the technological infrastructure of architecture, music, communications technologies and military research. By investigating the networks of institutional and technological power which traverse our embodied perception of sound, she hopes to reveal the myriad ways in which our acoustic experience is subject to control and suggest alternative modes of engagement with the sonic world. ...

Jacqueline Kiyomi Gork: Artworks
Sound Blanket No. 15
Jacqueline Kiyomi Gork
Sound Blanket No. 15, 2022
162.6 x 101.6 x 40.6cm
Sound Blanket No. 11
Jacqueline Kiyomi Gork
Sound Blanket No. 11, 2022
152.4 x 139.7 x 15.2cm
Sound Blanket No. 9
Jacqueline Kiyomi Gork
Sound Blanket No. 9, 2022
119.4 x 111.8 x 17.8cm
Sound Blanket No. 8
Jacqueline Kiyomi Gork
Sound Blanket No. 8, 2022
134.6 x 127 x 25.4cm
Sound Blanket No. 7
Jacqueline Kiyomi Gork
Sound Blanket No. 7, 2022
149.9 x 149.9 x 17.8cm
Bag O'Weed
Jacqueline Kiyomi Gork
Bag O'Weed, 1990
117 x 129.5 x 17.8cm
This DJ
Jacqueline Kiyomi Gork
This DJ, 1990
112 x 129.5 x 18cm
Sound Blanket No. 2
Jacqueline Kiyomi Gork
Sound Blanket No. 2, 2018
104 x 60.1 x 25.5cm
Attenuator No. 5
Jacqueline Kiyomi Gork
Attenuator No. 5, 2021
58.8 x 192 x 25.5cm
Sound Blanket No. 5
Jacqueline Kiyomi Gork
Sound Blanket No. 5, 2021
217 x 220 x 10cm
Attenuator No. 1
Jacqueline Kiyomi Gork
Attenuator No. 1, 2021
137 x 143 x 40cm
Sound Blanket No.6
Jacqueline Kiyomi Gork
Sound Blanket No.6, 2021
199 x 191 x 10cm
Attenuator No. 4
Jacqueline Kiyomi Gork
Attenuator No. 4, 2021
180 x 73 x 42cm
Sound Blanket No. 10
Jacqueline Kiyomi Gork
Sound Blanket No. 10, 2022
157.5 x 139.7 x 27.9cm
Sound Blanket No. 16
Jacqueline Kiyomi Gork
Sound Blanket No. 16, 2022
190 x 190 x 10cm
François Ghebaly
Gallery
François Ghebaly
Los Angeles, New York City

Since 2009, François Ghebaly has presented an innovative, eclectic program of Los Angeles-based and international artists. With a history of identifying and championing diverse voices and emerging talent, the gallery’s roster has grown to include 27 artists and 2 artist estates, ranging from early career, such as Sharif Farrag and Ludovic Nkoth, to mid-career, like Christine Sun Kim, Meriem Bennani, Kelly Akashi, Farah Al Qasimi, and Genesis Belanger, to well established, including Sayre Gomez, Kathleen Ryan, Neïl Beloufa and Candice Lin as well as underground legends, like Patrick Jackson and Mike Kuchar. The gallery advances the reach of its artists’ visions by publishing exhibition catalogues and producing artist editions. Located since 2013 in a 12,000 square foot warehouse space in Downtown Los Angeles, the gallery is a mainstay of the burgeoning Arts District community, and recently expanded to New York's Lower East Side. François Ghebaly’s program demonstrates a commitment to challenging work across all media and to fostering the progressive, boundary-pushing practices of its artists. ...

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