Calling, Singing, Screaming, Crying (Great Hornbill)
Calling, Singing, Screaming, Crying (Great Hornbill)
Calling, Singing, Screaming, Crying (Great Hornbill)

Jedsada Tangtrakulwong

Calling, Singing, Screaming, Crying (Great Hornbill), 201930 x 40 x 3.6cmSign in to view price
Details
Material
acrylic and pastel pencil on canvas
Description
Human-crafted. AI-refined.

This abstract artwork features a grid-like composition of rectangular shapes in shades of dark green and black. The brushstrokes are visible, creating a textured, gestural quality. The overall effect is one of repetition and rhythm, with the rectangular forms arranged in a systematic pattern. The artist appears to be exploring the interplay of form, color, and texture, inviting the viewer to focus on the visual elements rather than any specific subject matter. This piece likely reflects the artist's interest in minimalist and modernist aesthetics, emphasizing the essential qualities of the medium. ...

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Calling, Singing, Screaming, Crying (Asian Koel)
Artist
Jedsada Tangtrakulwong
B.1972

Jedsada Tangtrakulwong works primarily with site-specific installation, bringing together photography, sound, drawing and light to awaken audience perceptions of different spaces. Each body of work develops from extended interactions with particular environments. His 2013 project, Spirit Under The Chi River was based on 21 months of fieldwork covering the fishermen's way of life and the fishing-related culture in twelve villages near the Chi River, Maha Sarakham Province. Simultaneously, Tangtrakulwong was working on Downfall (2013), which was inspired by large, otherworldly trees the artist encountered in Roi Et and Maha Sarakham provinces from November 2010 to January 2013. Building on these experiences, Tangtrakulwong then begins the process of translating his findings into an installation for the public to navigate. Playing with light and sound, as well as built components, Tangtrakulwong tries to emulate the sensorial atmosphere of these different regions, bringing ‘the outside, inside’ as the artist puts it. Tangtrakulwong’s sensitivity to different habitats evokes a similar sensitivity that ran through the 1960s Land Art movement, and the architectural dimension of his practice also echoes the collaborative work of Christo and Jeanne-Claude. ...

Jedsada Tangtrakulwong: Artworks
Calling, Singing, Screaming, Crying (Asian Koel)
Jedsada Tangtrakulwong
Calling, Singing, Screaming, Crying (Asian Koel), 2019
30.3 x 40 x 3.8cm
100 Year Layers
Jedsada Tangtrakulwong
100 Year Layers, 2019
330cm ⌀39cm
Open-ended
Conceal to Reveal 1
Jedsada Tangtrakulwong
Conceal to Reveal 1, 2019
59.5 x 89cm
Calling, Singing, Screaming, Crying (Great Hornbill)
Jedsada Tangtrakulwong
Calling, Singing, Screaming, Crying (Great Hornbill), 2019
30 x 40 x 3.6cm
Calling, Singing, Screaming, Crying (Blue and Gold Macaw)
Jedsada Tangtrakulwong
Calling, Singing, Screaming, Crying (Blue and Gold Macaw), 2019
30 x 40 x 3.8cm
Calling, Singing, Screaming, Crying (Parakeet)
Jedsada Tangtrakulwong
Calling, Singing, Screaming, Crying (Parakeet), 2019
30.5 x 40.3 x 3.7cm
Calling, Singing, Screaming, Crying (Coucal)
Jedsada Tangtrakulwong
Calling, Singing, Screaming, Crying (Coucal), 2019
30.3 x 40 x 3.7cm
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