acrylic paint and graphite powder on aluminum honeycomb panel.Aguirre
Description
Human-crafted. AI-refined.
This black and white photograph depicts an industrial-style enclosure with a stark, minimalist aesthetic. The composition features clean, angular lines and a juxtaposition of transparent glass panels and solid metal frames. The overall sense is one of geometric precision and impersonal, functional design. The image evokes a sense of containment and isolation, with the viewer positioned as an outside observer. The artist's intention appears to be exploring themes of technology, structure, and the relationship between human and architectural space. This work showcases the photographer's mastery of light, shadow, and negative space to create a visually striking and conceptually compelling image. ...
Juan Antonio Olivares was born in Bayamón, Puerto Rico in 1988. Studied Visual Arts and Philosophy at Columbia University, and attended the Kunstakademie Düsseldorf in Germany. Olivares works in digital animation, video installation, sound, sculpture, drawing and painting to create psychologically charged environments that merge nature and technology. Mining the subconscious impulses that reflect our deeply embedded fears and desires, Olivares abstracts them through digital interfaces. His work explores humanity through constantly evolving forms of image-making.
He is currently based in New York. Recent exhibitions include The Panther, Aguirre, New York, Human Ecologies, Clark Institute, Massachusetts, Perforated Tympani with Joseph Grigely at Aguirre Mexico City, 2023; Basel Social Club Switzerland, 2023. Solo exhibitions include Self-Portrait, Maria Bernheim Zürich, 2022; Transference, Chertlüdde 2021, Berlin; Naufragios, Bortolami, New York; Junque, Massimo de Carlo, London, 2020. In 2018 he presented a solo exhibition Moléculas at the Whitney Museum of American Art. Other exhibitions include I. Summer (after the Great Game), Miguel Abreu Gallery, New York; Moléculas at Off Vendome; and Please Respond, M/L Artspace in Venice. His work is included in the collections of the Whitney Museum of American Art, the Sandretto Re Rebaudengo Foundation and Adrastus Collection, among others.
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