I stood in the middle of the strait of Gibraltar and dropped my left tear in the Atlantic Ocean and ...

Charbel-Joseph H. Boutros

I stood in the middle of the strait of Gibraltar and dropped my left tear in the Atlantic Ocean and my right tear in the Mediterranean sea , 201640 x 116 x 115cmSign in to view price
Details
MaterialGallery
steel, painting, metallic structure, water from the atlantic ocean, water from the mediteranean sea, artist left tear, artist right tearMartins&Montero
Description
Human-crafted. AI-refined.

The artwork presents a minimalist installation consisting of two large, rectangular blocks in a muted gray tone. The simple geometric forms and monochromatic color scheme create a stark, refined composition that emphasizes the inherent qualities of the materials used. The overall design reflects a focus on purity of form and a reduction of visual elements, characteristic of the contemporary art movement. The artist's intention may be to explore concepts of space, scale, and the viewer's perception and interaction with the sculptural elements within the architectural setting. ...

Similar Artworks
Inverted Masturbator Vaginis IV
Young Joon Kwak
Inverted Masturbator Vaginis IV, 2017
12.7 x 8.26 x 6.98cm
Sermand
Nils Alix-Tabeling
Sermand, 2021
42 x 40 x 40cm
How to grow a garden that blooms all year round
Korakrit Arunanondchai
How to grow a garden that blooms all year round, 2022
218.4 x 162.6cm
Stars are also photograph of dead planets
Korakrit Arunanondchai
Stars are also photograph of dead planets, 2021
218.4 x 162.6cm
Vasive
Daiga Grantina
Vasive, 2024
147 x 47 x 14cm
Gargouille
Nils Alix-Tabeling
Gargouille, 2022
60 x 50 x 42cm
Rose
Le démon du sommeil
Nils Alix-Tabeling
Le démon du sommeil, 2023
44 x 46 x 43cm
Bridge
Oak
Nervous Systems II
Nils Alix-Tabeling
Nervous Systems II, 2022
34 x 28cm
Estructura espacial indisociable
Daniel De Paula
Estructura espacial indisociable, 2023
39 x 50 x 38cm
FALLING CARYATID #2
Benjamin Renoux
FALLING CARYATID #2, 2017
170 x 90 x 121cm
Sans Titre
Morgan Courtois
Sans Titre, 2021
116 x 60 x 45cm
Untitled (Corner Grid)
Young Joon Kwak
Untitled (Corner Grid), 2014
170.18 x 60.96 x 83.82cm
Epigrama
Rodrigo Hernández
Epigrama, 2020
66 x 40 x 25cm
Poppy
Dala Nasser
Poppy, 2022
260 x 260cm
Le poids du monde 37
Etel Adnan
Le poids du monde 37, 2019
33 x 24cm
Endless rain; chardons sensuels
Nils Alix-Tabeling
Endless rain; chardons sensuels, 2023
90 x 90 x 2.5cm
Untitled (Body Painting)
Korakrit Arunanondchai
Untitled (Body Painting), 2013
218 x 164cm
Estructura espacial  indisociable
Daniel De Paula
Estructura espacial indisociable, 2023
44 x 45 x 30cm
Charbel-Joseph H. Boutros
Artist
Charbel-Joseph H. Boutros
B.1981, Lebanese

In Charbel-joseph H. Boutros' work invisibility is charged with intimate, geographical and historical layers, finding poetic lines that extend beyond the realm of existing speculations and realities. Being born in the middle of the Lebanese war, his art is not engaged in an explicit political and historical reflection, but is more accurately haunted by the said political and historical reflection.

Charbel-Joseph H. Boutros: Artworks
Vanitas vanitatum omnia vanitas
Charbel-Joseph H. Boutros
Vanitas vanitatum omnia vanitas, 2012
3 x 20cm
No light in white light
But even dead can dance #2
Charbel-Joseph H. Boutros
But even dead can dance #2, 2011
13 x 11cm
Lovers
Night Cartography #3
Charbel-Joseph H. Boutros
Night Cartography #3, 2019
38 x 9.5 x 6cm
No Light In White Light / Night Cartography, Night of the 14/04/2015
Charbel-Joseph H. Boutros
No Light In White Light / Night Cartography, Night of the 14/04/2015, 2015
50 x 70cm
Boutros The Last Week of 2020
Charbel-Joseph H. Boutros
Boutros The Last Week of 2020, 2020
36 x 25cm
I stood in the middle of the strait of Gibraltar and dropped my left tear in the Atlantic Ocean and my right tear in the Mediterranean sea
Charbel-Joseph H. Boutros
I stood in the middle of the strait of Gibraltar and dropped my left tear in the Atlantic Ocean and my right tear in the Mediterranean sea , 2016
40 x 116 x 115cm
THE MOST MAGICAL LINE IN VERMEERS PAINTING
Charbel-Joseph H. Boutros
THE MOST MAGICAL LINE IN VERMEERS PAINTING, 2023
Untitled Until Now
Charbel-Joseph H. Boutros
Untitled Until Now, 2023
9 x 17 x 1cm
Martins&Montero
Gallery
Martins&Montero
Brussels, São Paulo

Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...

Unlock Price & Inquiry Access