The artwork presents a minimalist composition consisting of a single, curving yellow line against a dark background. The color scheme is stark, with the vibrant yellow line standing out in contrast to the deep, shadowy backdrop. The line's sinuous form and slender profile suggest a sense of motion and energy, creating a striking visual impact through the interplay of light and dark. The simplicity of the design and the artist's focused use of line and color evoke a contemplative, almost meditative quality, inviting the viewer to reflect on the interplay of positive and negative space. ...
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In Charbel-joseph H. Boutros' work invisibility is charged with intimate, geographical and historical layers, finding poetic lines that extend beyond the realm of existing speculations and realities. Being born in the middle of the Lebanese war, his art is not engaged in an explicit political and historical reflection, but is more accurately haunted by the said political and historical reflection.
Charbel-Joseph H. Boutros: Artworks
Charbel-Joseph H. BoutrosVanitas vanitatum omnia vanitas, 20123429 USD
Charbel-Joseph H. BoutrosNo light in white light, 201413719 USD
Charbel-Joseph H. BoutrosBut even dead can dance #2, 20118003 USD
Charbel-Joseph H. Boutros..., 20165716 USD
Charbel-Joseph H. BoutrosLovers, 20115144 USD
Charbel-Joseph H. BoutrosNight Cartography #3, 20194573 USD
Charbel-Joseph H. BoutrosNo Light In White Light / Night Cartography, Night of the 14/04/2015, 20158003 USD
Charbel-Joseph H. BoutrosBoutros The Last Week of 2020, 20205716 USD
Charbel-Joseph H. BoutrosI stood in the middle of the strait of Gibraltar and dropped my left tear in the Atlantic Ocean and my right tear in the Mediterranean sea , 201615000 USD
Charbel-Joseph H. BoutrosTHE MOST MAGICAL LINE IN VERMEERS PAINTING, 202314291 USD
Charbel-Joseph H. BoutrosUntitled Until Now, 20235000 USD
Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...