Boutros The Last Week of 2020

Charbel-Joseph H. Boutros

Boutros The Last Week of 2020, 202036 x 25cmSign in to view price
Details
MaterialGallery
sun of the last week of 2020, on recycled paper bought at hema, amsterdamMartins&Montero
Description
Human-crafted. AI-refined.

This abstract artwork features a simple rectangular form in a muted, earthy palette. The composition is spare and minimalist, with the central beige shape positioned within a crisp white frame. The artist has employed a restrained, contemplative style that emphasizes the inherent qualities of the materials, namely the textured paper surface and the soft tonal gradations. This pared-down aesthetic reflects the Minimalist art movement, which aimed to create works focused on fundamental elements like shape, color, and space rather than narrative or representational content. ...

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Araignée et guimauve
Charbel-Joseph H. Boutros
Artist
Charbel-Joseph H. Boutros
B.1981, Lebanese

In Charbel-joseph H. Boutros' work invisibility is charged with intimate, geographical and historical layers, finding poetic lines that extend beyond the realm of existing speculations and realities. Being born in the middle of the Lebanese war, his art is not engaged in an explicit political and historical reflection, but is more accurately haunted by the said political and historical reflection.

Charbel-Joseph H. Boutros: Artworks
Martins&Montero
Gallery
Martins&Montero
Brussels, São Paulo

Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...

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