This minimalist artwork depicts a simple, elongated black mechanical pencil against a plain white background. The pencil is composed of clean, geometric lines and features a subtle pop of red color at the tip. The overall composition emphasizes the utilitarian design and functional nature of the pencil, highlighting its form and materiality. The artist likely intended to explore the beauty and elegance inherent in everyday objects through this pared-down, focused representation. ...
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In Charbel-joseph H. Boutros' work invisibility is charged with intimate, geographical and historical layers, finding poetic lines that extend beyond the realm of existing speculations and realities. Being born in the middle of the Lebanese war, his art is not engaged in an explicit political and historical reflection, but is more accurately haunted by the said political and historical reflection.
Charbel-Joseph H. Boutros: Artworks
Charbel-Joseph H. BoutrosVanitas vanitatum omnia vanitas, 20123429 USD
Charbel-Joseph H. BoutrosNo light in white light, 201413719 USD
Charbel-Joseph H. BoutrosBut even dead can dance #2, 20118003 USD
Charbel-Joseph H. Boutros..., 20165716 USD
Charbel-Joseph H. BoutrosLovers, 20115144 USD
Charbel-Joseph H. BoutrosNight Cartography #3, 20194573 USD
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Charbel-Joseph H. BoutrosBoutros The Last Week of 2020, 20205716 USD
Charbel-Joseph H. BoutrosI stood in the middle of the strait of Gibraltar and dropped my left tear in the Atlantic Ocean and my right tear in the Mediterranean sea , 201615000 USD
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Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...