Details
MaterialGallery
paint, plaster, concrete on canvasDvir Gallery
Description
Human-crafted. AI-refined.

This contemporary artwork features a striking abstract composition of irregular shapes and textures in shades of blue and tan. The use of contrasting colors and the organic, weathered appearance of the materials create a sense of depth and visual interest. The artwork appears to employ mixed media techniques, combining elements that evoke natural processes and erosion. The overall effect is one of a dynamic, ephemeral landscape, hinting at the dynamic and ever-changing nature of the natural world. The artist's intention may be to explore themes of time, impermanence, and the interplay between man-made and natural forces. ...

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(...)
Latifa Echakhch
Artist
Latifa Echakhch
B.1974, French/Moroccan

Born in 1974 in El Khnansa, Morocco. Lives and works in Switzerland. Latifa Echakhch often introduces associations with ‘cultural mementos’ that reveal a complicated relationships, where symbolic valency is subtracted, its absence suggesting an entirely new meaning and presence. Echakhch re-imagines and re-evaluates found objects and defamiliarizes the vernacular, questioning the meaning embedded in these and, in general, our own relationship and preconceptions towards such objects. Only when supposedly known objects have been emptied of their original meaning can they be read in many ways. Referencing and appropriating the archetypes, ideologies of modernism and beyond, she reflects on the often-prejudiced perception of national and religious identities in works that are both poetic and conceptual, and questions the semantics of cultural paradigms, providing instead what the artist calls “poetic transfiguration”. ...

Latifa Echakhch: Artworks
Derives 18
Latifa Echakhch
Derives 18, 2011
200 x 150cm
Entre la nuit et l’aurore (Between night and dawn)
Latifa Echakhch
Entre la nuit et l’aurore (Between night and dawn), 2025
120 x 155 x 95cm
A chaque stencil une revolution, une apres l'autre
Latifa Echakhch
A chaque stencil une revolution, une apres l'autre, 2009
86 x 21 x 29cm
Untitled (black clouds)
Latifa Echakhch
Untitled (black clouds), 2015
101 x 268 x 14cm
A fine rain is falling, the skin has goosebumps. Rub the arms to warm them up and then start running...
Latifa Echakhch
A fine rain is falling, the skin has goosebumps. Rub the arms to warm them up and then start running again, 2019
200 x 150 x 2.5cm
Night Time (As Seen by Sim Ouch)
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Night Time (As Seen by Sim Ouch), 2022
200 x 150 x 2.6cm
Screen Shot R.M
Latifa Echakhch
Screen Shot R.M, 2015
173 x 300 x 2cm
Night Time (As Seen by Sim Ouch)
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Night Time (As Seen by Sim Ouch), 2023
200 x 300 x 3cm
The All
Latifa Echakhch
The All, 2023
200 x 150 x 3cm
Tambour '57
Latifa Echakhch
Tambour '57, 2012
173 x 173 x 5cm
Dérives
Latifa Echakhch
Dérives, 2015
200 x 150cm
Sans titre (jardin exotique)
Latifa Echakhch
Sans titre (jardin exotique), 2018
200 x 150cm
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Stand up straight and high, close the eyes and everything started to spin around. The wind is blowing again, 2019
200 x 150cm
Sun Set Down
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Sun Set Down, 2022
200 x 150 x 5cm
The Dark Days
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The Dark Days, 2024
206 x 156 x 3.5cm
The Dark Days
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The Dark Days, 2024
206 x 156 x 3.5cm
Dvir Gallery
Gallery
Dvir Gallery
Tel Aviv, Brussels, Paris

Dvir Gallery was founded in 1982 by Dvir Intrator to introduce cutting-edge contemporary Israeli artists. In 1994 the gallery broadened its’ representation to include international artists such as Miroslaw Balka, Marianne Berenhaut, Douglas Gordon, Latifa Echakhch, and Lawrence Weiner in its’ program. In 2013, Dvir Gallery combined its’ 3 separate spaces into a 5-story building, the first of its’ kind in Tel Aviv. In 2016, the gallery opened its first gateway to Europe with a branch in Brussels, which strengthen and developed the existing relationship with the international artistic community. Earlier this year, on the occasion of its 40th anniversary, the gallery opened a space in Paris, in the heart of the historical Marais District, emphasizing the special ties and connection the gallery has had, since its beginnings, with the French cultural milieu, collaborating with artists, institutions and private collections. ...

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