On Alligator

Magali Reus

On Alligator, 2017126 x 231 x 117cmSign in to view price
Details
MaterialGallery
fibreglass and cast polyester resin, pigments, volcanic sand, copper powder, powder coated steel tubing and laser cut steel, blackened socket bolts, washers and nuts, stainless steel, burnt and engraved wood, sand blasted steel rod, magnets, debossed, engraved and screen printed dyed leathers and suedes, quilted polyester, quilted mesh, polyester webbing, eyelets, zipper, pvc, stainless steel cable, end stopsThe approach
Description
Human-crafted. AI-refined.

This contemporary artwork features a surreal and whimsical arrangement of everyday objects. The composition comprises a metallic frame supporting a bulky, oversized backpack in a muted olive green hue. The backpack appears to be partially open, with various items spilling out, including a rectangular object resembling a notebook or document. The overall style and technique suggest a playful, conceptual approach that challenges the viewer's perception of scale and function. The artist's intention may be to explore themes of mobility, transportation, or the relationship between the human body and technological devices. ...

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Magali Reus
Artist
Magali Reus
B.1981, Dutch

Magali Reus produces sculptures by assembling common objects, such as no-parking signs or locks, into brand new and unfamiliar forms. Although she is attuned to the physical world, Reus avoids using pre-existing objects and instead meticulously fabricates each component of her sculptures using a combination of traditional and modern techniques. Working in series, she explores and expands upon the cultural and physical properties of these objects, forging connections between the sculptures and their physicality. Manipulating colours, materials, textures, and shapes, Reus disrupts typical associations and employs a mixture of digital design and traditional sculpting techniques that involve various materials like aluminum, steel, and resin. This process of abstraction enables alternative associations to form, giving her sculptures a surreal and otherworldly quality. Reus characterizes her sculptures as "unreal things" that could easily fit within either a computer-generated realm or a Surrealist composition. ...

Magali Reus: Artworks
Clementine (Bandid)
Landings (68424, Drop)
UV Set (Knaves)
Hwael (The Flat)
Magali ReusHwael (The Flat), 2017
235 x 225 x 77.5cm
In Place Of (Appetites)
In Place Of (Sundries)
Magali ReusIn Place Of (Sundries), 2015
153.4 x 199.4 x 55.9cm
Parking (Bench Press)
Dregs (Slur)
Magali ReusDregs (Slur), 2014
50 x 110 x 80cm
Dregs (Grub Bake)
Lukes (Fossil Fruits)
Lukes (Half Moon Sweat)
Clementine (Frank)
Our Volumes
Magali ReusOur Volumes, 2022
142 x 90 x 35cm
What Grows (Red Roses)
Landings (2500.1, Blush)
The Greenest Grass
Clay (Mushrooms)
Sentinel (Vapor Trail)
On Alligator
Magali ReusOn Alligator, 2017
126 x 231 x 117cm
Mt. Lugs
Magali ReusMt. Lugs, 2017
124 x 219 x 146cm
Clementine (Bud)
Grain of Wind
Magali ReusGrain of Wind, 2021
189 x 59.9 x 72.6cm
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

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