Candlesticks (Mercury Spice)
Candlesticks (Mercury Spice)
Candlesticks (Mercury Spice)
Candlesticks (Mercury Spice)
Candlesticks (Mercury Spice)
Candlesticks (Mercury Spice)
Candlesticks (Mercury Spice)
Candlesticks (Mercury Spice)
Candlesticks (Mercury Spice)
Candlesticks (Mercury Spice)
Candlesticks (Mercury Spice)
Candlesticks (Mercury Spice)
Candlesticks (Mercury Spice)
Candlesticks (Mercury Spice)
Candlesticks (Mercury Spice)

Magali Reus

Candlesticks (Mercury Spice), 2022304 x 50 x 50cmSign in to view price
Details
MaterialGallery
spun, welded and powder coated aluminium, hand-carved and powder coated aluminium extrusion, spun, welded and hand-patinated brass, dry transfer, sand cast powder coated aluminium, cast epoxy resin, polished and powder coated forged steel bar, aluminium wire, 3d printed nylon sls, eva plaster filler mix, pigments, sprayed mdf, screwsThe approach
Description
Human-crafted. AI-refined.

The artwork presents a striking contrast between the sleek, metallic lamp fixture and the weathered, rusted base. The composition features a clean, minimalist design with a cylindrical glass bulb and a tapered green stem. The base, adorned with intricate sculptural elements, adds a sense of surreal, industrial charm to the piece. The artwork likely aims to explore the intersection of form and function, blending traditional lamp design with a contemporary, sculptural approach. The artist's intention may be to challenge conventional notions of lighting and utility, inviting the viewer to consider the interplay between the utilitarian and the artistic. ...

Similar Artworks
Monk Bowing for a Holy Stone
Tamara Van San
Monk Bowing for a Holy Stone, 2016
50 x 44 x 32cm
Puzzle Game With Different Objects Indicate Women's Tragedy Future
Evelyn Taocheng Wang 王伊芙苓韜程
Puzzle Game With Different Objects Indicate Women's Tragedy Future, 2017
180 x 96cm
Colore (1845)
Rachel Rose
Colore (1845), 2022
54.9 x 65.1 x 2.5cm
Motherfucker
Olga Balema
Motherfucker, 2016
73 x 110 x 12cm
C I T H R A
DICKGIRL 3D(X)
Accumunation
Leaf
Olga Balema
Leaf, 2019
43 x 111 x 58cm
Colore (1845)
Rachel Rose
Colore (1845), 2022
54.9 x 65.1 x 2.5cm
Posing for Banner of Tunnel Security Woman, No. 1
Evelyn Taocheng Wang 王伊芙苓韜程
Posing for Banner of Tunnel Security Woman, No. 1, 2019
42 x 31.5cm
Hook No.20
Sidsel Meineche Hansen
Hook No.20, 2024
90 x 86.5 x 2cm
Heaven (1519)
Rachel Rose
Heaven (1519), 2022
67.3 x 77.5 x 2.5cm
Evening Painting Class of Dutch Window
Evelyn Taocheng Wang 王伊芙苓韜程
Evening Painting Class of Dutch Window, 2021
70 x 70 x 2cm
Burl Egg 2
Rachel Rose
Burl Egg 2, 2021
43.2 x 43.2 x 30.5cm
river by night
Kira Freije
river by night, 2022
250 x 50 x 50cm
Keep Gazing
Tamara Van San
Keep Gazing, 2016
39 x 40 x 3cm
Kannadi (Four Triangles)
Germaine Kruip
Kannadi (Four Triangles), 2017
24 x 24 x 6.4cm
Untitled
Laura Owens
Untitled, 2016
274.5 x 213.5 x 7cm
Threat to Civilization 2
Olga Balema
Threat to Civilization 2, 2015
48 x 100 x 95cm
The plan was D, for dog, but also others (bed making)
Helen Marten
The plan was D, for dog, but also others (bed making), 2023
280 x 245 x 8.5cm
CULTURAL CAPITAL COOPERATIVE OBJECT #1
Sidsel Meineche Hansen
CULTURAL CAPITAL COOPERATIVE OBJECT #1, 2016
Flax and Imitation of Agnes Martin
Evelyn Taocheng Wang 王伊芙苓韜程
Flax and Imitation of Agnes Martin, 2023
185 x 185 x 2.5cm
Loop (4.6 billion BC)
Rachel Rose
Loop (4.6 billion BC), 2022
53.3 x 38.1 x 43.2cm
C I T H R A
Rhinophant
Tamara Van San
Rhinophant, 2016
45 x 53 x 34cm
Magali Reus
Artist
Magali Reus
B.1981, Dutch

Magali Reus produces sculptures by assembling common objects, such as no-parking signs or locks, into brand new and unfamiliar forms. Although she is attuned to the physical world, Reus avoids using pre-existing objects and instead meticulously fabricates each component of her sculptures using a combination of traditional and modern techniques. Working in series, she explores and expands upon the cultural and physical properties of these objects, forging connections between the sculptures and their physicality. Manipulating colours, materials, textures, and shapes, Reus disrupts typical associations and employs a mixture of digital design and traditional sculpting techniques that involve various materials like aluminum, steel, and resin. This process of abstraction enables alternative associations to form, giving her sculptures a surreal and otherworldly quality. Reus characterizes her sculptures as "unreal things" that could easily fit within either a computer-generated realm or a Surrealist composition. ...

Magali Reus: Artworks
Clementine (Bandid)
Magali Reus
Clementine (Bandid), 2023
40 x 40 x 45cm
Landings (68424, Drop)
Magali Reus
Landings (68424, Drop), 2022
100 x 74.5 x 5.5cm
Vanilla Flies (Knaves)
Magali Reus
Vanilla Flies (Knaves), 2021
60 x 85 x 5cm
UV Set (Knaves)
Magali Reus
UV Set (Knaves), 2021
85 x 60 x 5cm
Empty Every Night (08:05 Noon Winding)
Magali Reus
Empty Every Night (08:05 Noon Winding), 2019
97 x 97 x 52.5cm
Settings (Table Service)
Magali Reus
Settings (Table Service), 2019
71 x 71 x 5cm
Empty Every Night (12:59 Bell and Hammer)
Magali Reus
Empty Every Night (12:59 Bell and Hammer), 2019
86 x 65 x 32cm
Settings (Headlights)
Magali Reus
Settings (Headlights), 2019
71 x 71 x 5cm
Dearest (Short the Electric)
Magali Reus
Dearest (Short the Electric), 2018
218 x 126 x 90cm
Hwael (The Flat)
Magali Reus
Hwael (The Flat), 2017
235 x 225 x 77.5cm
Sentinel (Waterfall Plot)
Magali Reus
Sentinel (Waterfall Plot), 2017
215 x 175 x 35cm
Leaves (Cooper Wires, May)
Magali Reus
Leaves (Cooper Wires, May), 2015
40 x 48 x 10.5cm
Leaves (Shell Drake, November)
Magali Reus
Leaves (Shell Drake, November), 2015
72.5 x 17.5 x 46cm
In Place Of (Appetites)
Magali Reus
In Place Of (Appetites), 2015
25.5 x 157.5 x 139.5cm
In Place Of (Sundries)
Magali Reus
In Place Of (Sundries), 2015
153.4 x 199.4 x 55.9cm
Parking (Bench Press)
Magali Reus
Parking (Bench Press), 2014
57 x 182 x 49cm
Parking (Legs At Eye Level)
Magali Reus
Parking (Legs At Eye Level), 2014
57 x 140 x 49cm
Dregs (Slur)
Magali Reus
Dregs (Slur), 2014
50 x 110 x 80cm
Dregs (Grub Bake)
Magali Reus
Dregs (Grub Bake), 2014
39 x 150 x 60cm
Lukes (Fossil Fruits)
Magali Reus
Lukes (Fossil Fruits), 2014
180 x 62.5 x 57cm
Lukes (Half Moon Sweat)
Magali Reus
Lukes (Half Moon Sweat), 2014
138 x 54.4 x 50cm
Clementine (Frank)
Magali Reus
Clementine (Frank), 2023
40 x 40 x 45cm
Clementine (Tendon Shoots)
Magali Reus
Clementine (Tendon Shoots), 2023
34 x 31 x 31cm
Clementine (Out of Orbit)
Magali Reus
Clementine (Out of Orbit), 2023
40 x 40 x 45cm
Our Volumes
Magali Reus
Our Volumes, 2022
142 x 90 x 35cm
What Grows (Red Roses)
Magali Reus
What Grows (Red Roses), 2022
113 x 102 x 93cm
What Grows (Flowers, Flowers)
Magali Reus
What Grows (Flowers, Flowers), 2022
56 x 117 x 160cm
Candlesticks (Mercury Spice)
Magali Reus
Candlesticks (Mercury Spice), 2022
304 x 50 x 50cm
Candlesticks (Ultraviolet Fool)
Magali Reus
Candlesticks (Ultraviolet Fool), 2022
304 x 50 x 50cm
Landings (2500.1, Blush)
Magali Reus
Landings (2500.1, Blush), 2022
100 x 73.5 x 6cm
Knaves (Honey Dew Cupid)
Magali Reus
Knaves (Honey Dew Cupid), 2021
85 x 60 x 5cm
Knaves (Alpine Club)
Magali Reus
Knaves (Alpine Club), 2021
60 x 85 x 5cm
Knaves (Clam Blusher)
Magali Reus
Knaves (Clam Blusher), 2021
85 x 60 x 5cm
The Greenest Grass
Magali Reus
The Greenest Grass, 2021
165 x 72 x 60cm
Clay (Mushrooms)
Magali Reus
Clay (Mushrooms), 2021
210 x 244 x 6.5cm
Bonelight (Autumn Glory)
Magali Reus
Bonelight (Autumn Glory), 2020
232 x 73 x 69cm
Sentinel (Vapor Trail)
Magali Reus
Sentinel (Vapor Trail), 2018
250 x 261 x 44.5cm
On Alligator
Magali Reus
On Alligator, 2017
126 x 231 x 117cm
Mt. Lugs
Magali Reus
Mt. Lugs, 2017
124 x 219 x 146cm
Clementine (Bud)
Magali Reus
Clementine (Bud), 2023
37 x 32 x 32cm
Grain of Wind
Magali Reus
Grain of Wind, 2021
189 x 59.9 x 72.6cm
Clementine (Grapes and Feathers)
Magali Reus
Clementine (Grapes and Feathers), 2024
36 x 36 x 45cm
Settings (Side Sleepers)
Magali Reus
Settings (Side Sleepers), 2021
71 x 71 x 5cm
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

Unlock Price & Inquiry Access