Clementine (Bud)
Clementine (Bud)
Clementine (Bud)
Clementine (Bud)
Clementine (Bud)

Magali Reus

Clementine (Bud), 202337 x 32 x 32cmSign in to view price
Details
MaterialGallery
hand-waxed epoxy resin and binding powder, pigments, plywood, powder coated and airbrushed aluminium foil, steel, screwsThe approach
Description
Human-crafted. AI-refined.

The artwork presents a vibrant blue daisy flower against a clean white background. The composition features bold, distinct shapes and colors, with the petals and leaves of the flower rendered in a striking, almost cartoonish style. The technique employed appears to be illustration or painting, with a focus on creating a visually appealing, stylized representation of the floral subject. The overall style and simplicity of the design suggest this piece may be part of a decorative or functional artwork, perhaps a ceramic plate or dish, reflecting the artist's intention to create an inviting, whimsical visual experience. ...

Similar Artworks
Duck Blood
Evelyn Taocheng Wang 王伊芙苓韜程Duck Blood, 2021
45 x 48cm
the sudden sleep
Burl Egg 2
Rachel RoseBurl Egg 2, 2021
43.2 x 43.2 x 30.5cm
Flax and Imitation of Agnes Martin
Evelyn Taocheng Wang 王伊芙苓韜程Flax and Imitation of Agnes Martin, 2023
185 x 185 x 2.5cm
Colore (1782)
Rachel RoseColore (1782), 2022
88.6 x 101.9 x 3.5cm
Untitled-Platypus, Divisionism, Proletariat
Evelyn Taocheng Wang 王伊芙苓韜程Untitled-Platypus, Divisionism, Proletariat, 2013
75 x 340 x 60cm
DICKGIRL 3D(X)
Sidsel Meineche HansenDICKGIRL 3D(X), 2016
7.62cm
Heinemann and Rotterdamer Bush
Evelyn Taocheng Wang 王伊芙苓韜程Heinemann and Rotterdamer Bush, 2021
60 x 80 x 3cm
Egg
Rachel RoseEgg, 2018
27.6 x 34.9 x 27.6cm
Eclipse
Kira FreijeEclipse, 2024
25 x 40 x 25cm
Hell (1520)
Rachel RoseHell (1520), 2022
67.3 x 77.5 x 2.5cm
Grandmother Underwear and Imitation of Agnes Martin
Evelyn Taocheng Wang 王伊芙苓韜程Grandmother Underwear and Imitation of Agnes Martin, 2025
155 x 155 x 2.5cm
A Female Grasshopper Shits Behind A Fake Hill
Evelyn Taocheng Wang 王伊芙苓韜程A Female Grasshopper Shits Behind A Fake Hill, 2017
30 x 21cm
Fifteenth Born
Rachel RoseFifteenth Born, 2019
15.9 x 24.4 x 20.6cm
A mountainous landscape
Eight View of Oud-Charlois, No.4
Evelyn Taocheng Wang 王伊芙苓韜程Eight View of Oud-Charlois, No.4, 2019
63.7 x 123.5 x 5cm
Colore (1794)
Rhinophant
Tamara Van SanRhinophant, 2016
45 x 53 x 34cm
Who is going to burn my love-affair Mirror?!
Evelyn Taocheng Wang 王伊芙苓韜程Who is going to burn my love-affair Mirror?!, 2017
180 x 96cm
Keep Gazing
Tamara Van SanKeep Gazing, 2016
39 x 40 x 3cm
Untitled
Laura OwensUntitled, 2016
274.5 x 213.5 x 7cm
BLE
Navine G. Khan-DossosBLE, 2021
Colore (1845)
Rachel RoseColore (1845), 2022
54.9 x 65.1 x 2.5cm
Someone Mysterious Hung Herself Up Among Towers
Hook No.20
Sidsel Meineche HansenHook No.20, 2024
90 x 86.5 x 2cm
Loop 234
Olga BalemaLoop 234, 2025
80 x 20 x 25cm
Magali Reus
Artist
Magali Reus
B.1981, Dutch

Magali Reus produces sculptures by assembling common objects, such as no-parking signs or locks, into brand new and unfamiliar forms. Although she is attuned to the physical world, Reus avoids using pre-existing objects and instead meticulously fabricates each component of her sculptures using a combination of traditional and modern techniques. Working in series, she explores and expands upon the cultural and physical properties of these objects, forging connections between the sculptures and their physicality. Manipulating colours, materials, textures, and shapes, Reus disrupts typical associations and employs a mixture of digital design and traditional sculpting techniques that involve various materials like aluminum, steel, and resin. This process of abstraction enables alternative associations to form, giving her sculptures a surreal and otherworldly quality. Reus characterizes her sculptures as "unreal things" that could easily fit within either a computer-generated realm or a Surrealist composition. ...

Magali Reus: Artworks
Clementine (Bandid)
Landings (68424, Drop)
UV Set (Knaves)
Hwael (The Flat)
Magali ReusHwael (The Flat), 2017
235 x 225 x 77.5cm
In Place Of (Appetites)
In Place Of (Sundries)
Magali ReusIn Place Of (Sundries), 2015
153.4 x 199.4 x 55.9cm
Parking (Bench Press)
Dregs (Slur)
Magali ReusDregs (Slur), 2014
50 x 110 x 80cm
Dregs (Grub Bake)
Lukes (Fossil Fruits)
Lukes (Half Moon Sweat)
Clementine (Frank)
Our Volumes
Magali ReusOur Volumes, 2022
142 x 90 x 35cm
What Grows (Red Roses)
Landings (2500.1, Blush)
The Greenest Grass
Clay (Mushrooms)
Sentinel (Vapor Trail)
On Alligator
Magali ReusOn Alligator, 2017
126 x 231 x 117cm
Mt. Lugs
Magali ReusMt. Lugs, 2017
124 x 219 x 146cm
Clementine (Bud)
Grain of Wind
Magali ReusGrain of Wind, 2021
189 x 59.9 x 72.6cm
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

Unlock Price & Inquiry Access