Philippe Perrot

Les petits pois, 199450.5 x 73cm24500 EUR

Details

MaterialGallery

Description

Human-crafted. AI-refined.

The artwork features a vibrant and energetic composition with bold colors and expressive brushstrokes. The central figures, depicted in a distorted and exaggerated style, appear to be two men in formal attire, one holding a dish or bowl. The background is filled with abstract shapes and splatters, creating a sense of chaos and movement. This visually striking piece exemplifies the artist's distinctive expressionistic technique, likely aiming to convey a sense of social commentary or psychological narrative through the distorted representation of the subjects. ...

Similar Artworks

Dalila Dalléas BouzarUntitled #7, série Rencontre, 2015Price on Request

Laure ProuvostThis Print Has Traveled Far To Touch You, 2016Price on Request

Isabelle CornaroReproductions (Les licornes / The Unicorns, 1885), 2019Price on Request

Alexandre SinghBusiness, 20135500 EUR

Mohamed BourouissaNous Sommes Les Halles 12, 2003Price on Request

Laure ProuvostLet's Start Again, 2021Price on Request

Jean-Luc BlancBouvard et Pécuchet, 201910000 USD

Alexandre SinghBertrand, 201325000 EUR

Mohamed BourouissaUnknown #14, 2014Price on Request

Julien BismuthPulcinella Study (Evil are the masks that do not weigh), 20202800 EUR

Bouchra KhaliliWet Feet (Lost Boats - Detail: Flag fig.2), 2012Price on Request

Dalila Dalléas BouzarAutoportrait #6, 2018Price on Request

Isabelle CornaroStreams II (#11, Aluminum), 2019Price on Request

Latifa EchakhchSans titre (jardin exotique), 2018120000 EUR

Artist

Philippe Perrot

B.1967, French

Philippe Perrot’s paintings are always about family. But he constantly interrupts the narrative function of the image, with each canvas suggesting various skits without reality divulging any family secrets. Nevertheless, his singular way of painting the signs and images suggests something of their weight and their influence on the organisation of pictorial space. The varying effects of scale contribute to altering the latter’s homogeneity. The point is to disconcert the viewer’s gaze and make them seek new reference points and follow aleatory lines of thought. It is by maintaining a permanent non-resemblance between the signs and their signification, creating a disjunction between the image and its referent, that this challenge the viewer attains its full meaning. ...

Philippe Perrot: Artworks

Philippe PerrotL'homme sans tête, 199422000 EUR

Philippe PerrotLes petits pois, 199424500 EUR

Philippe PerrotLe rebond, 199351000 EUR

Gallery

Galerie Art : Concept

Paris

To avoid any narcissism the gallery will not bear a name, but instead mark of the end of a century during which the Fine Arts are exhausted of unknown practices and forms, Art: Concept was born. In 1997, the gallery joined its friends in the 13th district of Paris to be part of the adventure of the brand new rue Louise Weiss. Despite unforgettable years in this district, the move to the Marais was inevitable. Today, the gallery is located in a private passage (passage Sainte Avoye) and represents artists with whom it has been working for 25 years as well as young graduates. Trying to reflect the evolution of society, the gallery emphasises its proposals in a multi-faceted reflection on individuality and collectivity in a wide range of contexts. Like Janus, it looks both to the past and the future. Today's world is so in need of reference points that it's reassuring to invent a future, thanks to artists, as well as to compare it to the past. We invite you to ask for it, we will be at the gallery, very happy to explain it to you. ...