L'homme sans tête

Philippe Perrot

L'homme sans tête, 199455 x 46.5cmSign in to view price
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MaterialGallery
Description
Human-crafted. AI-refined.

This contemporary artwork features a vibrant color palette, with warm orange and red hues contrasted against a pale, creamy background. The composition is visually striking, with a prominent circular motif that draws the viewer's attention. The subject matter appears to depict a human figure, though the identity of the individual is obscured. The artist has employed a bold, expressive brushstroke technique, lending the piece a sense of energy and movement. Overall, this artwork seems to explore themes of identity, representation, and the human experience, though the specific intention behind the piece remains open to interpretation. ...

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L'homme sans tête
Artist
Philippe Perrot
B.1967, French

Philippe Perrot’s paintings are always about family. But he constantly interrupts the narrative function of the image, with each canvas suggesting various skits without reality divulging any family secrets. Nevertheless, his singular way of painting the signs and images suggests something of their weight and their influence on the organisation of pictorial space. The varying effects of scale contribute to altering the latter’s homogeneity. The point is to disconcert the viewer’s gaze and make them seek new reference points and follow aleatory lines of thought. It is by maintaining a permanent non-resemblance between the signs and their signification, creating a disjunction between the image and its referent, that this challenge the viewer attains its full meaning. ...

Philippe Perrot: Artworks
L'homme sans tête
Les petits pois
Le rebond
Philippe PerrotLe rebond, 1993
116 x 89cm
Galerie Art : Concept

To avoid any narcissism the gallery will not bear a name, but instead mark of the end of a century during which the Fine Arts are exhausted of unknown practices and forms, Art: Concept was born. In 1997, the gallery joined its friends in the 13th district of Paris to be part of the adventure of the brand new rue Louise Weiss. Despite unforgettable years in this district, the move to the Marais was inevitable. Today, the gallery is located in a private passage (passage Sainte Avoye) and represents artists with whom it has been working for 25 years as well as young graduates. Trying to reflect the evolution of society, the gallery emphasises its proposals in a multi-faceted reflection on individuality and collectivity in a wide range of contexts. Like Janus, it looks both to the past and the future. Today's world is so in need of reference points that it's reassuring to invent a future, thanks to artists, as well as to compare it to the past. We invite you to ask for it, we will be at the gallery, very happy to explain it to you. ...

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