Sans titre (abstract_orchid II_fuschia)

Pierre-Olivier Arnaud

Sans titre (abstract_orchid II_fuschia), 201333 x 26cm3500 EUR
Details
MaterialGalleryLocation
inkjet printing on colored paper, laminating under altuglassGalerie Art : ConceptParis
Description
Human-crafted. AI-refined.

This striking image features a vibrant fuchsia-pink background that dominates the frame. The central focus is an intricate orchid blossom, rendered in a ghostly, translucent quality that lends it an ethereal, almost otherworldly appearance. The delicate petals and distinct spotted pattern on the flower's lip create a captivating visual contrast, highlighting the artist's skilled use of light and shadow to accentuate the orchid's unique structure. The overall composition and color palette evoke a dreamlike, surreal atmosphere, suggesting the artist's intention to invite the viewer to consider the beauty and fragility of natural forms through a contemporary, abstract lens. ...

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Pierre-Olivier Arnaud
Artist
Pierre-Olivier Arnaud
1972 , French

Pierre-Olivier Arnaud was born in 1972. He lives and works in Lyon. His work is based on the image, that is to say the image as a motif but which tends to disappear. He questions the status that the images he collects can have, a status that is relatively blurry because of the very precariousness of these motifs and their identity. Perhaps this is why the artist does not define himself as a photographer, who takes an image for what it is and gives it to be seen in an immediate and literal way. On the contrary, it is with the invisible, fragile qualities of images, in their non-obviousness and in the representations and interpretations they can give rise to, that Pierre-Olivier Arnaud works with. Moving away from a concrete look at the image, he produces a multitude of often abstract motifs, almost always in black and white, blurring our established vision and “de-sublimating” the visible. The image thus dissolves “at first reducing the motif to bring us, in the next stage, to get closer to it and look at it in detail”. The artist’s works are a somewhat dark, direct and honest vision of the world: inviting us to look at things differently, going beyond the evidence of glossy aesthetics and penetrating the identity itself of an image. ...

Pierre-Olivier Arnaud: Artworks
Sans titre, (projet : cosmos – fleur 14)
Pierre-Olivier ArnaudSans titre, (projet : cosmos – fleur 14), 20106000 EUR
Sans titre
Pierre-Olivier ArnaudSans titre, 20051600 EUR
Sans titre (abstract_orchid II_fuschia)
Pierre-Olivier ArnaudSans titre (abstract_orchid II_fuschia), 20133500 EUR
sans titre (play still_45)
Pierre-Olivier Arnaudsans titre (play still_45), 20167700 EUR
sans titre (abstract - rayon 01 - positive)
Pierre-Olivier Arnaudsans titre (abstract - rayon 01 - positive), 20142100 EUR
sans titre (abstract - jour 01)
Pierre-Olivier Arnaudsans titre (abstract - jour 01), 20144500 EUR
Sans titre (cheerleader III)
Pierre-Olivier ArnaudSans titre (cheerleader III), 20142200 EUR
Sans titre (startower)
Pierre-Olivier ArnaudSans titre (startower), 20051600 EUR
sans titre (play still_34)
Pierre-Olivier Arnaudsans titre (play still_34), 20167700 EUR
Sans titre, (projet : cosmos - dégradé 02)
Pierre-Olivier ArnaudSans titre, (projet : cosmos - dégradé 02), 20103700 EUR
Sans titre, (projet : cosmos - fleur 34)
Pierre-Olivier ArnaudSans titre, (projet : cosmos - fleur 34), 20106000 EUR
Galerie Art : Concept
Gallery
Galerie Art : Concept
Paris

To avoid any narcissism the gallery will not bear a name, but instead mark of the end of a century during which the Fine Arts are exhausted of unknown practices and forms, Art: Concept was born. In 1997, the gallery joined its friends in the 13th district of Paris to be part of the adventure of the brand new rue Louise Weiss. Despite unforgettable years in this district, the move to the Marais was inevitable. Today, the gallery is located in a private passage (passage Sainte Avoye) and represents artists with whom it has been working for 25 years as well as young graduates. Trying to reflect the evolution of society, the gallery emphasises its proposals in a multi-faceted reflection on individuality and collectivity in a wide range of contexts. Like Janus, it looks both to the past and the future. Today's world is so in need of reference points that it's reassuring to invent a future, thanks to artists, as well as to compare it to the past. We invite you to ask for it, we will be at the gallery, very happy to explain it to you. ...