The artwork features two abstract sculptural figures rendered in a monochromatic palette of grays and blacks. The shapes are geometric and angular, with prominent use of triangles, circles, and angular lines. The figures appear to be seated or crouching, with exaggerated features like large hands and feet. The style is reminiscent of cubist or expressionist sculptural techniques, with a focus on fragmented forms and distorted proportions. The overall composition creates a sense of movement and dynamism, suggesting the artist's intention to convey a specific narrative or emotional concept through this striking and unconventional sculptural piece. ...
Rafael D'Aló's artistic practice is centered around the act of investigation. Through sculpture, painting, and installation, he assembles fragments of found objects in order to create narratives and establish novel connections between fact and fiction, often with a playful nod towards deconstructing established myths. D'Aló achieves this by bringing together diverse materials, colours, and found images, often sourced from the urban environment, to create a dynamic interplay that speaks to our collective imagination and the rapidly changing world in which we live. He explores the ways in which power struggles and desires are represented through iconography, using the wisdom of the oppressed to subvert dominant narratives through his work. Imbued with a sense of irony and critical engagement with history, each piece builds upon the last, creating a continuous chain of metaphors that connect the past with the present and hint at new possibilities for the future. ...
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