Hiding at Hythe

Sophie Barber

Hiding at Hythe, 2020559 x 398cmSign in to view price
Details
MaterialGallery
oil on canvasChris Sharp Gallery
Description
Human-crafted. AI-refined.

The artwork features a bold, geometric composition dominated by vibrant hues of red and yellow. At the center, a prominent triangular shape in deep crimson is set against a backdrop of ochre-colored fabric, creating a striking visual contrast. The overall style is abstract and minimalist, emphasizing the interplay of color, form, and texture. The artwork's title, "Hiding at Hythe," suggests a conceptual element that invites the viewer to ponder the artist's intention, potentially alluding to themes of concealment, secrecy, or a specific historical or cultural context. ...

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Sophie Barber
Artist
Sophie Barber
B.1996, British

Sophie Barber’s paintings, ranging from large to tiny, depict that which she finds around herself. Natural and manmade imagery, like tents, houses, birds, and people, are painted against block-colour backgrounds. The simplicity of the composition alludes to folk art, with subject matter presenting itself as illusive visions rather than literal representations. Curiously and humorously, Barber works with existing images, like sculptures of Franz West, Giotto or Annie Leibovitz’s photographs of Kendrick Lamar, sometimes painting directly on magazine covers. The artist’s depictions are chunky, atmospheric, homely, yet secretive. In Barber’s hands, the mundane is continuously reimagined and recontextualised through the lens of abundance. ...

Sophie Barber: Artworks
Chris Sharp Gallery
Gallery
Chris Sharp Gallery
Los Angeles

Chris Sharp Gallery opened in Los Angeles in January 2021. Founded by writer, curator and co-founder of Lulu, Mexico City, Chris Sharp, the gallery is focused on a mixture of emerging, mid-career and overlooked or historically neglected artists. With a strong core of artists based in LA, the gallery also represents a number of positions on the East Coast, the UK, and Europe. The intention of the program is to present fully-integrated practices which think plastically— practices in which politics and ideas are indivisible from materials and form.The personal and the idiosyncratic hold a privileged place in the gallery’s aesthetics, while humor (the weirder, the better) and craft are crucial to its quiddity, all of which tends to be conveyed with a certain spatial elegance which seeks to foreground every work of art as the humble miracle that it is. ...

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