Zuzanna Czebatul
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Human-crafted. AI-refined.The artwork depicted in this image appears to be a conceptual installation piece. The visual elements consist of a series of large, shrink-wrapped packages stacked on a metal frame, suggesting a sense of containment and protection. The overall composition creates a sense of ordered chaos, with the geometric forms and industrial materials conveying a minimalist aesthetic. The subject matter seems to explore themes of transportation, storage, and the movement of goods, hinting at broader societal and economic implications. The artistic style and technique employ found objects and everyday materials in an unconventional manner, reflecting the artist's intention to challenge conventional perceptions and prompt the viewer to consider the deeper contextual meanings behind the piece. ...
Similar Artworks
Zuzanna Czebatul
1986 , PolishThe artist operates mainly in the field of sculpture, creating pieces that blur the lines between commercial product, architectural relic, and artistic production. Her work investigates complex relationships between the viewer and the viewed. She produces her own materials and creates works that deal with different themes representing strength or weakness, depicted in their opposed forms and with a certain sense of humor and kitschy eroticism. Her installations appear in turns collapsed, destroyed, deflated, or fragmented, and question concepts such as monument, public edifice and symbolic architecture. Reality and artificiality appear in her work in a constant dialogue in which she exposes the fluidity or flexibility of politics, the art market, or the human body. Thus, her work often addresses power structures, ideologies and politics and asks the question: how do we want to live? ...
Zuzanna Czebatul: Artworks
Sans titre
ParisSans titre is a gallery based in Paris. It initially operated as a project space and after three years of a nomadic existence (2016 – 2019) and numerous atypical spaces occupied (private apartments, industrial spaces, parking lots, a shipyard, a few hotel rooms, restaurants, etc.), Sans titre moved into a permanent address and embraced the gallery model. It is now located 13, rue Michel Le Comte, a few steps from the Centre Pompidou, in a former Restoration-era bar, whose facade is registered as a Historic Monument. Throughout, Sans titre works to promote international artists in the early stages of their careers. Alongside organizing exhibitions in a multidisciplinary approach, the gallery publishes fanzines, produces edition and creates events related to the represented artists. ...