The Parasite

HaeAhn Woo Kwon

The Parasite, 20165.1 x 25.4 x 25.4cmSign in to view price
Details
MaterialGallery
charred frozen pizza, gauche, sumi-ink, cardboardFranz Kaka
Description
Human-crafted. AI-refined.

This contemporary artwork features a dark, circular composition with prominent purple elements. The rugged, textured surface gives the piece a raw, earthy feel, while the strategically placed purple shapes add visual interest and contrast. The artist's use of natural materials and minimalist approach evokes a sense of ancient, primal forms. This work may explore themes of nature, geology, or the interplay between organic and manufactured elements, inviting the viewer to consider the inherent beauty and complexity within simple, unrefined forms. ...

Similar Artworks
Mesoderm (Absent Azaleas)
Lotus L. Kang
Mesoderm (Absent Azaleas), 2024
122 x 102 x 3cm
Untitled (BCE)
Sophia Al Maria
Untitled (BCE), 2018
40 x 30cm
On the Foothills of Alborz
Asal Peirovi
On the Foothills of Alborz, 2021
107 x 84cm
The Party 3
Farah Atassi
The Party 3, 2018
189.86 x 149.86cm
North Salem Moon (1993)
Rachel Rose
North Salem Moon (1993), 2022
139.7 x 92.7cm
Tract X
Lotus L. Kang
Tract X, 2024
314 x 14 x 4cm
Drooping Skin
Piece of I Day 1 and Drooping Skin Day 2,
Ieva Kraule-Kūna
Piece of I Day 1 and Drooping Skin Day 2,, 2016
Colore (1845)
Rachel Rose
Colore (1845), 2022
54.9 x 65.1 x 2.5cm
Beast Mode 1
Sophia Al Maria
Beast Mode 1, 2020
47 x 36.5 x 3.7cm
Seaside with Bouquet and Citrus
Farah Atassi
Seaside with Bouquet and Citrus, 2024
92 x 73cm
Mesoderm (Chime)
Lotus L. Kang
Mesoderm (Chime), 2022
51 x 81 x 2cm
A mountainous landscape
Rachel Rose
A mountainous landscape, 2022
48.5 x 61 x 1.4cm
On the Foothills of Alborz
Asal Peirovi
On the Foothills of Alborz, 2021
120 x 92cm
38.9173100271627° N, -77.22183907758908° W
Olivia Erlanger
38.9173100271627° N, -77.22183907758908° W, 2021
76 x 47 x 38cm
Impassable Path
Asal Peirovi
Impassable Path, 2021
100 x 82cm
The Bather
Farah Atassi
The Bather, 2018
184.78 x 139.7cm
The Open Land by Moonlight (1993)
Rachel Rose
The Open Land by Moonlight (1993), 2022
139.7 x 92.7cm
White Man's Bible (Revenge Porn)
Sophia Al Maria
White Man's Bible (Revenge Porn), 2018
38.1 x 21.9 x 29.8cm
11:34 AM
Olivia Erlanger
11:34 AM, 2020
50.8 x 50.8 x 25.4cm
Same Face of I  (highlight and contour)
Ieva Kraule-Kūna
Same Face of I (highlight and contour), 2016
Heaven (1519)
Rachel Rose
Heaven (1519), 2022
67.3 x 77.5 x 2.5cm
Still Life With Eggs
Farah Atassi
Still Life With Eggs, 2020
146.05 x 114.3cm
34.044475879474845° N, -118.64673408513035 ° W
Olivia Erlanger
34.044475879474845° N, -118.64673408513035 ° W, 2021
70 x 64 x 37cm
taraxos
Sophia Al Maria
taraxos, 2021
650 x 200 x 200cm
Model on Stage
Farah Atassi
Model on Stage, 2021
200.66 x 160.02cm
Untitled
Asal Peirovi
Untitled, 2020
117 x 94cm
Colore (1793)
Rachel Rose
Colore (1793), 2022
82.9 x 106.4 x 3.5cm
Molt (New York-Woodridge-Basel-)
Lotus L. Kang
Molt (New York-Woodridge-Basel-), 2025
290 x 127 x 9cm
Not Really There
Untitled
Asal Peirovi
Untitled, 2020
117 x 94cm
Mirror Cookie
Colore (1794)
Rachel Rose
Colore (1794), 2022
95.2 x 125.3cm
The Game 2
Farah Atassi
The Game 2, 2019
180.34 x 200.66cm
Wyndcliffe
Olivia Erlanger
Wyndcliffe, 2020
106.7 x 106.7 x 106.7cm
Wild Music, False Phrases
Em Rooney
Wild Music, False Phrases, 2020
16.5 x 23 x 2.5cm
Exil: Exile
Coloring Book 62
Sable Elyse Smith
Coloring Book 62, 2020
152.4 x 127cm
HaeAhn Woo Kwon
Artist
HaeAhn Woo Kwon
B.1984

HaeAhn Woo Kwon is a visual artist whose work centres primarily on drawing, sculpture, and installation, probing strategies of the makeshift and improvisation. Informed by vernacular architecture in the urban environment of her native South Korea, her practice recombines and transforms everyday objects, highlighting a tension between a culture of excess and the resourcefulness born of crises. In addition to her independent practice, she frequently collaborates with Canadian artist Paul Kajander as HaeAhn Paul Kwon Kajander. Threading given and family names together, their practice challenges identificatory constructs such as gender, ethnicity, and patriarchal lineage. ...

HaeAhn Woo Kwon: Artworks
The Parasite
HaeAhn Woo Kwon
The Parasite, 2016
5.1 x 25.4 x 25.4cm
Piss Moon Showerbase
HaeAhn Woo Kwon
Piss Moon Showerbase, 2021
24.1 x 31.8 x 3.2cm
Untitled (legs)
HaeAhn Woo Kwon
Untitled (legs), 2022
59.7 x 45.7cm
No One Said So
HaeAhn Woo Kwon
No One Said So, 2022
45.7 x 15.2cm
Franz Kaka
Gallery
Franz Kaka
Toronto

Unlock Price & Inquiry Access