Kang Seung Lee
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Description
Human-crafted. AI-refined.The artwork depicts a black and white pencil sketch of a rundown urban scene. The composition features a dilapidated building with a "Sorry, We're Closed" sign, conveying a sense of abandonment and decay. The sketchy, linear style and the use of shades of gray create a somber and melancholic atmosphere. The artwork appears to be a commentary on the economic and social challenges faced by marginalized communities, reflecting the artist's intention to shed light on the harsh realities of urban decline. ...
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Kang Seung Lee
1978 , American/South KoreanKang Seung Lee’s practice seeks both to illuminate and to create new critical, cross-cultural queer histories. Born in South Korea but having lived in Latin America and the Middle East, Seung Lee is concerned with excavating material – such as artworks, artefacts and publications, from public and private archives, for example libraries, museums and private collections – that sheds light on non-Western marginalised experiences and suppressed histories. Through the artist’s meticulous process of research, hidden narratives and personal accounts, divergent with hegemonic and linear histories, begin to emerge. Expressing his findings with graphite pencil, paintings on transformed canvases, garments, ceramics, film footage and Polaroid images, Kang Seung Lee sees these alternative, counter-narratives as dictating strategies and tactics for the liberation of marginalised peoples. Written by Goldsmiths CCA ...
Kang Seung Lee: Artworks
Commonwealth and Council
Los Angeles, Mexico CityCommonwealth and Council is a gallery in Koreatown, Los Angeles founded in 2010. Our program is rooted in our commitment to explore how a community of artists can sustain our co-existence through generosity and hospitality. Commonwealth and Council celebrates our manifold identities and experiences through the shared dialogue of art—championing practices by women, queer, POC, and our ally artists to build counter-histories that reflect our individual and collective realities.