Miroir

Nathanaelle Herbelin

Miroir, 2020Price on Request
Details
MaterialGalleryLocation
oil on woodPainters Painting PaintingsSt Albans
Description
Human-crafted. AI-refined.

This abstract painting features a vibrant, expressive composition. The canvas is dominated by large, organic shapes in shades of purple, yellow, and white. The brushstrokes are loose and gestural, creating a sense of movement and energy. While no specific subject matter is discernible, the work evokes a sense of duality or introspection through the paired, mirrored forms. The artist's distinctive style and technique suggest an exploration of the subconscious and a desire to convey emotive, psychological states through the medium of paint. ...

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Nathanaelle Herbelin
Artist
Nathanaelle Herbelin
1989 , French Israeli

Painted on wooden boards, Nathanaëlle mixes a range of turpentine, linseed and vegetable oils with her paint, which she likens to the slow geology of the desert. Herbelin commemorates this geology in her paintings: in some, the surfaces look puckered and dry, as if the paintings themselves have endured a pelting from a sand storm. Others are wet from layers of rabbit skin glue and a natural primer, which, like the desert sand, is high in calcium. This emulates the effect rare rainfall has on desert soil when the water sinks into the sand before slowly evaporating to form a calcium called caliche. You’ll notice small bubbles and divots that resemble the textures of the desert rock which she’d perch on as she painted. Her washy oil paints blend and merge; sometimes the brush marks are visible over eroded down blisters on the surface, which she degrades using coarse scraps of sandpaper. Often the abrasions she makes will be vehemently scratched at, out of anger towards the needless constructions being built. The Egypt–Israel border, instigated by the outgoing Israeli hardline Prime Minister Benjamin Netanyahu in 2011, is one she plans to paint soon. Painting for Herbelin is like writing a diary – attempts to portray what can’t exactly be seen on camera or write in words. She paints what she sees, as they are, as they feel, as uncomfortable as the truth so often is. ...

Nathanaelle Herbelin: Artworks
His Room
Nathanaelle HerbelinHis Room, 2019Price on Request
Miroir
Nathanaelle HerbelinMiroir, 2020Price on Request
Fuite et Confinement, version 2
Nathanaelle HerbelinFuite et Confinement, version 2, 2020Price on Request
Watermelon
Nathanaelle HerbelinWatermelon, 2022Price on Request
Le port de Jaffa
Nathanaelle HerbelinLe port de Jaffa, 2020Price on Request
David
Nathanaelle HerbelinDavid, 2020Price on Request
Bazar
Nathanaelle HerbelinBazar, 2021Price on Request
Marie
Nathanaelle HerbelinMarie, 2022Price on Request
Orev
Nathanaelle HerbelinOrev, 2022Price on Request
Mental Landscape
Nathanaelle HerbelinMental Landscape, 2021Price on Request
Œuf
Nathanaelle HerbelinŒuf, 2022Price on Request
Madeleine et Clément, version 3
Nathanaelle HerbelinMadeleine et Clément, version 3, 2021Price on Request
Coup au couloir
Nathanaelle HerbelinCoup au couloir, 2021Price on Request
Autoportrait
Nathanaelle HerbelinAutoportrait, 2022Price on Request
Cour intérieure
Nathanaelle HerbelinCour intérieure, 2020Price on Request
Outre mer violet
Nathanaelle HerbelinOutre mer violet, 2020Price on Request
Elené aux Beaux-Arts
Nathanaelle HerbelinElené aux Beaux-Arts, 2021Price on Request
Painters Painting Paintings
Gallery
Painters Painting Paintings
St Albans

Online viewing rooms so often surrender the most valuable and treasured part of viewing paintings: time. PPP makes space for the precious time we’ve lost online. They have made the move to an exhibition based platform, supporting artists with committed exposure, engaging dialogues and unwavering focus on their painting. Time spent engaging with an artists’ work is often cut short in galleries, as the art world continually demands the next and new. By encouraging us to look for longer, PPP places processes of cogitation at the forefront of the onlooker’s attention. Their platform becomes a repository for the longevity of both the painting and the painter. In feeding the desire of art lovers to look for longer, PPP indulges a painting’s most powerful effect: its capacity to inspire. ...