Mental Landscape
Details
MaterialGallery
oil on canvasJousse Entreprise
Description
Human-crafted. AI-refined.

This pastel artwork features a striking interplay of colors and shapes. The composition centers on a vibrant red orb against a muted, earthy background of soft tones. The dominant hues of green and ochre create a sense of organic form, suggesting a natural or biomorphic subject matter. The blurred, abstract quality of the work points to an Impressionistic style, with the artist's emphasis on capturing the essence and emotive qualities of the subject rather than precise realism. The overall effect is one of tranquility and contemplation, inviting the viewer to ponder the artist's intended symbolism or meditation on the natural world. ...

Similar Artworks
Erasing the World
Hoda Kashiha
Erasing the World, 2021
120 x 150cm
Disembodied boy with balloons disembarks from Catumbela
Cassi Namoda
Disembodied boy with balloons disembarks from Catumbela, 2021
152.4 x 213.36cm
Safety and Pain
Jeanette Mundt
Safety and Pain, 2023
152.5 x 122 x 3cm
Night Time (As Seen by Sim Ouch)
Latifa Echakhch
Night Time (As Seen by Sim Ouch), 2023
200 x 300 x 3cm
I Will Destroy You
Jeanette Mundt
I Will Destroy You, 2022
90 x 130 x 3cm
Reverent Joan 2
Bunny Rogers
Reverent Joan 2, 2020
36 x 31 x 3cm
Bira
My Body Is Propagated Like Flower, Even by Your Handwriting
Hoda Kashiha
My Body Is Propagated Like Flower, Even by Your Handwriting, 2022
150 x 120cm
Ghost Joan 5
Bunny Rogers
Ghost Joan 5, 2020
36 x 31 x 3cm
A Different Descent
Jeanette Mundt
A Different Descent, 2024
38 x 48.5 x 3cm
Flimsy Screen
Veronika Pausova
Flimsy Screen, 2024
45.7 x 38.1 x 3.5cm
Lizard brain
Hayv Kahraman
Lizard brain, 2022
25.4 x 29.2cm
The Olympics
Jeanette Mundt
The Olympics, 2024
127 x 96.5 x 3cm
Sphinx (purple)
Bunny Rogers
Sphinx (purple), 2023
32.5 x 43 x 3cm
Sitting by Sekuru’s grave
Kudzanai-Violet Hwami
Sitting by Sekuru’s grave, 2019
120 x 120cm
Sans titre (jardin exotique)
Latifa Echakhch
Sans titre (jardin exotique), 2018
200 x 150cm
Tambour '57
Latifa Echakhch
Tambour '57, 2012
173 x 173 x 5cm
Waves/Pain/Tingling/Pleasure/Heaviness/Heat
Sara Naim
Waves/Pain/Tingling/Pleasure/Heaviness/Heat, 2019
151.4 x 63.8cm
Untitled
Woman holding the vase The vase holding the flower The lips The eyes The vase Fit water and light in herself
Hoda Kashiha
Woman holding the vase The vase holding the flower The lips The eyes The vase Fit water and light in herself, 2023
150 x 120cm
Le poids du monde 37
Etel Adnan
Le poids du monde 37, 2019
33 x 24cm
Coloring Book 62
Sable Elyse Smith
Coloring Book 62, 2020
152.4 x 127cm
Map, ceramic, grattoir et cheveux
Marie-Claire Messouma Manlanbien
Map, ceramic, grattoir et cheveux, 2023
60 x 70cm
Sphinx 25
Bunny Rogers
Sphinx 25, 2023
32.5 x 43cm
TBT
Nathanaelle Herbelin
Artist
Nathanaelle Herbelin
B.1989, French Israeli

Painted on wooden boards, Nathanaëlle mixes a range of turpentine, linseed and vegetable oils with her paint, which she likens to the slow geology of the desert. Herbelin commemorates this geology in her paintings: in some, the surfaces look puckered and dry, as if the paintings themselves have endured a pelting from a sand storm. Others are wet from layers of rabbit skin glue and a natural primer, which, like the desert sand, is high in calcium. This emulates the effect rare rainfall has on desert soil when the water sinks into the sand before slowly evaporating to form a calcium called caliche. You’ll notice small bubbles and divots that resemble the textures of the desert rock which she’d perch on as she painted. Her washy oil paints blend and merge; sometimes the brush marks are visible over eroded down blisters on the surface, which she degrades using coarse scraps of sandpaper. Often the abrasions she makes will be vehemently scratched at, out of anger towards the needless constructions being built. The Egypt–Israel border, instigated by the outgoing Israeli hardline Prime Minister Benjamin Netanyahu in 2011, is one she plans to paint soon. Painting for Herbelin is like writing a diary – attempts to portray what can’t exactly be seen on camera or write in words. She paints what she sees, as they are, as they feel, as uncomfortable as the truth so often is. ...

Nathanaelle Herbelin: Artworks
Jousse Entreprise
Gallery
Jousse Entreprise
Paris

Unlock Price & Inquiry Access