This minimalist artwork features a simple composition with a subtle contrast between the square gray background and the centrally placed white, swirling object. The form appears to be a crumpled piece of paper or fabric, conveying a sense of movement and impermanence. The artist employs a monochromatic palette and a stark, yet evocative, subject matter, highlighting the inherent beauty in everyday, mundane materials. The overall impression is one of elegance and tranquility, inviting the viewer to ponder the relationship between form, texture, and the absence of color. ...
In recent years, Ko Sin Tung has been creating project-based, site- specific artworks and exhibitions in series, systematically dealing with social, architectural and quotidian themes. From a post-conceptual, post- minimal and seemingly detached perspective, Ko represents via installation, sculpture, painting, photography and video the process and means through which the contemporary society disciplines human bodies, critiquing the veiled, concealed and manipulated conditions of reality. Emphasising the internal dynamics in dichotomies — construction– destruction, development–ruination, exteriority–interiority — Ko’s artistic practice balances borderline imagery that appears ambiguous, and political discourses that are lucid and polemical. In her early practice, Ko Sin Tung investigates the impact of things through a myriad of mediums and materials, the psychological influences private objects continuously project, and the non-utilitarian functions they have been personally channelled to fulfil. She observes the city’s inhabitants and their close-quarters, slowly questioning the ways in which their personal objects reflect life, revealing the existentialist abyss between the real and the simulacrum opened by bad images. ...
