Cour intérieure
Details
MaterialGallery
oil on canvasJousse Entreprise
Description
Human-crafted. AI-refined.

The painting depicts two figures interacting with a simple wooden chair. The colors are subdued, with a dominant green background that contrasts with the neutral tones of the figures' clothing. The composition is centered around the chair, which serves as the focal point. The figures are engaged in what appears to be an act of construction or deconstruction, suggesting a sense of process and exploration. The minimalist aesthetic and the ambiguous nature of the depicted activity invite the viewer to contemplate the relationship between the individuals and the object they are interacting with. This work likely reflects the artist's interest in exploring themes of human interaction, materiality, and the creative process. ...

Similar Artworks
We delight in earthly offerings, a good rain shower has arrived in Quelimane today
Cassi Namoda
We delight in earthly offerings, a good rain shower has arrived in Quelimane today, 2021
152.4 x 213.36cm
Sphinx (blue)
Bunny Rogers
Sphinx (blue), 2023
32.5 x 43 x 3cm
Woman holding the vase The vase holding the flower The lips The eyes The vase Fit water and light in herself
Hoda Kashiha
Woman holding the vase The vase holding the flower The lips The eyes The vase Fit water and light in herself, 2023
150 x 120cm
Reverent Joan 2
Bunny Rogers
Reverent Joan 2, 2020
36 x 31 x 3cm
Medicine man
Kudzanai-Violet Hwami
Medicine man, 2019
120 x 120cm
Shadow Joan
Bunny Rogers
Shadow Joan, 2020
220.3 x 173.3 x 7.5cm
Speaking in tongues
Kudzanai-Violet Hwami
Speaking in tongues, 2019
18 x 30 x 30cm
My Body Is Propagated Like Flower, Even by Your Handwriting
Hoda Kashiha
My Body Is Propagated Like Flower, Even by Your Handwriting, 2022
150 x 120cm
White Sock
Veronika Pausova
White Sock, 2024
127 x 104.1 x 3.5cm
Reverent Joan 4
Bunny Rogers
Reverent Joan 4, 2020
36 x 31 x 3cm
Newtown
Untitled
Hayv Kahraman
Untitled, 2023
292.1 x 139.7cm
Riot I
Sable Elyse Smith
Riot I, 2019
142.2 x 142.2 x 142.2cm
Right But Not Accurate VII
Jeanette Mundt
Right But Not Accurate VII, 2022
122 x 66cm
Self Portrait as clone of Jeanne d'Arc (Algernon Joan)
Bunny Rogers
Self Portrait as clone of Jeanne d'Arc (Algernon Joan), 2019
200.5 x 163 x 7.5cm
Waves/Pain/Tingling/Pleasure/Heaviness/Heat
Sara Naim
Waves/Pain/Tingling/Pleasure/Heaviness/Heat, 2019
151.4 x 63.8cm
Sitting by Sekuru’s grave
Kudzanai-Violet Hwami
Sitting by Sekuru’s grave, 2019
120 x 120cm
Bird Sings from Orange which is About Majesty
Hoda Kashiha
Bird Sings from Orange which is About Majesty, 2019
180 x 160 x 5cm
Le poids du monde 37
Etel Adnan
Le poids du monde 37, 2019
33 x 24cm
Nathanaelle Herbelin
Artist
Nathanaelle Herbelin
B.1989, French Israeli

Painted on wooden boards, Nathanaëlle mixes a range of turpentine, linseed and vegetable oils with her paint, which she likens to the slow geology of the desert. Herbelin commemorates this geology in her paintings: in some, the surfaces look puckered and dry, as if the paintings themselves have endured a pelting from a sand storm. Others are wet from layers of rabbit skin glue and a natural primer, which, like the desert sand, is high in calcium. This emulates the effect rare rainfall has on desert soil when the water sinks into the sand before slowly evaporating to form a calcium called caliche. You’ll notice small bubbles and divots that resemble the textures of the desert rock which she’d perch on as she painted. Her washy oil paints blend and merge; sometimes the brush marks are visible over eroded down blisters on the surface, which she degrades using coarse scraps of sandpaper. Often the abrasions she makes will be vehemently scratched at, out of anger towards the needless constructions being built. The Egypt–Israel border, instigated by the outgoing Israeli hardline Prime Minister Benjamin Netanyahu in 2011, is one she plans to paint soon. Painting for Herbelin is like writing a diary – attempts to portray what can’t exactly be seen on camera or write in words. She paints what she sees, as they are, as they feel, as uncomfortable as the truth so often is. ...

Nathanaelle Herbelin: Artworks
Jousse Entreprise
Gallery
Jousse Entreprise
Paris

Unlock Price & Inquiry Access